A native of Recife, Brazil’s fifth-largest city, guitarist and vocalist Nando Lauria is perhaps known for his wordless vocals on many tracks from the Pat Metheny Group. The Chicago Tribune describes Lauria’s work as “meld(ing) the Afro-Latin sensibilities of his native Brazil with American contemporary jazz to soothing effect.” AllMusic outlines Lauria’s sound: “Rather than blazing, polyrhythmic compositions, Lauria performs romantic, hypnotic numbers. He doesn’t downplay his ethnic heritage, but the rhythms are subdued rather than bubbling, aggressive, or intense … a tight balance between electric and acoustic instrumentation and modern and vintage arrangements, with a contemporary outlook.”
The track was released on Narada Records, which Billboard describes as “an independent New Age music label … (which) evolved through an expansion of formats to include world music, jazz, Celtic music, new flamenco, acoustic guitar, and piano genre releases.” Narada started in 1979 as a mail-order business, expanding in the 1990s to include Jazz and World divisions in addition to New Age.
“Gloria” (1992) is essentially a short multi-movement piece. The first section, centered around acoustic guitar, doesn’t introduce the melody until 1:09. This intro presents less of a specifically Christmas-y mood than a gentle scene of winter wonder. At 2:30, the track is built on the contemporary Latin text for the Catholic mass Gloria segment, performed a cappella by a multi-tracked Lauria. At 3:52, the acoustic guitar returns to accompany the vocals. 4:09, 5:05, and 5:16 bring more changes, re-visiting and expanding upon previous melodic and harmonic ideas while adding and subtracting groove elements. There are several modulations, with the first substantial shift at 2:27.
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