Author: Mod of the Day

Kirk Whalum | Love Is the Answer

Although the original 1977 version by Todd Rundgren‘s Utopia wasn’t a charting single, a cover by England Dan and John Ford Coley attained a #10 position on the Billboard Hot 100 chart in 1978, as well as a #1 on the Adult Contemporary chart. Rundgren’s original featured cascading hybrid chords in a few spots; Dan & Coley’s version was slightly simplified harmonically. Here, R&B/Jazz crossover artist, tenor saxophonist Kirk Whalum, leads a big band in a 2015 version that is even further smoothed out harmonically, but features a gorgeous modulation that the other versions lack!

Many thanks for a great 2019, and to MotD follower, musician, and Rundgren fan Ari Shagal for this submission. All the best for 2020, Modulation Nation!

Barbra Streisand | What Are You Doing New Year’s Eve

Happy New Year’s Eve! Thank you all for making 2019 a memorable one at MotD, introducing new music to our libraries, with key changes brightening every day. We close out the year with “What Are You Doing New Year’s Eve,” performed by Barbra Streisand from her 2001 album Christmas Memories. Key change at 2:47. See you in 2020!

Mathieu Boogaerts | Où?

Quentin, a reader of the MotD blog, sends this contribution:

“I just discovered your blog and I love it. I immediately thought about the song ‘Où?’ by Mathieu Boogaerts (1998). This song uses modulation paired with a fade-out in the outro to signify the loss of references, the feeling of not knowing where we are…the lyrics are ‘Où allons nous? J’y comprends rien.’ (‘Where are we going? I don’t understand anything.’)

The modulation ladder starts at 2:27; we can hear four modulations before the sound completely fades. Boogaerts is a French musician, composer and writer; the lyrics of his own songs have a really unique style.”

The Tubes | What Do You Want From Life

Here’s one of the singles from The Tubes self-titled 1975 debut album, “What Do You Want From Life?” The track received sustained airplay, likely due to what AllMusic calls the band’s “offbeat pop splendor.” Frequent contributor JB describes the track’s iconic spoken-word outro as a “tour-de-force gameshow voice-over … one of the most scathing bits of social satire in all of pop music.”

Starting in C minor, an early bridge (1:03 – 1:39) takes us through several pivots and pushes up briefly into D minor before falling back into Db minor for the balance of the tune.

The 1975 | I Couldn’t Be More In Love

UK band The 1975 met while living in a council flat as teens. Lead vocalist and rhythm guitarist Matthew Healy describes the group as “a post-modern pop band that references a million things. I don’t even know what my band is half the time.”

“I Couldn’t Be More In Love,” a languid ballad from the band’s 2018 album A Brief Inquiry Into Online Relationships, fits squarely into the breakup anthem category. Soul-infused harmonies pivot back and forth throughout, further underlined by a growing choir of backup vocals. Just as it seems that the tune is tapering to an end, a late half-step modulation hits at 3:12 as the chorus comes roaring back.

Spirit of the Season (from “The Polar Express”)

Weekend bonus mod: From our Twitter follower @PTMusicGrind comes “Spirit of the Season” from The Polar Express (2004). The piece was composed by Alan Silvestri, a multiple Academy Award and Golden Globe Award nominee.

The piece is a parade of modulations; the first key change arrives at 0:33.

Have You Seen a Child (from “Amahl + the Night Visitors”)

Weekend bonus mod: thanks to frequent contributor JB! Written by Gian Carlo Menotti, an Italian-American composer and librettist, Amahl and the Night Visitors first aired on NBC on Christmas Eve, 1951; it was the first opera written specifically for television and was intended to be children’s programming.

According to Opera Magazine, Menotti was challenged by deadlines; he was assisted by his composition colleague Samuel Barber in completing the orchestrations, which were first performed under the baton of NBC Symphony Orchestra conductor Arturo Toscanini. The production, later staged by many opera companies, was aired on national TV for eleven years straight; sporadic performances have continued over the years.

The main theme is repeated in several keys; the first modulation is at 0:33.