Author: Mod of the Day

Make Them Hear You (from “Ragtime”)

Today we feature “Make Them Hear You” from Ragtime (1996), with music by Stephen Flaherty, lyrics by Lynn Ahrens, and book by Terrence McNally. The musical is based on the novel of the same name by E.L. Doctorow. The performance is by Brian Stokes Mitchell; the key change is at 1:27.

Jacob Collier | Once You

I have been meaning to introduce the MotD audience to Jacob Collier‘s music for awhile, so here is one of his songs, “Once You” (2018). Collier is truly one of the most incredible musicians and thinkers I have ever come across, and I highly encourage you to check out his other stuff on YouTube. It will blow your mind. A big shout-out also to June Lee, who does painstaking transcriptions of many of Collier’s songs, giving us the opportunity to follow along. There are too many key changes in this tune to list, so I will just leave you to listen. Enjoy!

Arturo Sandoval | Emily

The all-too-often overlooked jazz standard “Emily” (Johnny Mandel and Johnny Mercer) has been covered by many greats, from Sinatra to Tony Bennett — and here by trumpeter Arturo Sandoval. The tune was the title song for the 1964 movie The Americanization of Emily. This arrangement features a lovely intro through 0:19; the form begins in earnest in C major before briefly touching on a key-of-the-moment (A major) for a few bars (0:39 – 0:48), then reverting to C.

Spanky + Our Gang | Sunday Will Never Be the Same

Intrepid MotD fan Paul Steckler points out the single modulation at 2:19 in the middle of a section of Bach-inspired vocalese in “Sunday Will Never Be the Same” by Spanky and Our Gang (1967). The tune, which reached #9 in the US and was another example of Sunshine Pop, scored the biggest hit for this short-lived band from the late 60s.

Queen | We Are the Champions

This epic modulation stared me in the face for decades before being noticed. Queen’s “We Are the Champions” (1977) features verses which start in C minor, shifts into Eb major for the pre-chorus (first at 0:23), then transitions to F major for the choruses (first at 0:39). Commenting on the tune (among Queen‘s most successful singles of all time), the band’s guitarist Brian May said “We wanted to get the crowds waving and singing. It’s very unifying and positive.”

Captain + Tennille | Love Will Keep Us Together

Originally co-written by hitmaker Neil Sedaka, who released the tune only in France, ”Love Will Keep Us Together“ hit #1 in the US, Canada, and Australia when covered in 1975 by American duo Captain and Tennille. Backed by members of the famed group of session musicians The Wrecking Crew, the tune features a huge upward half-step key change as the outro starts at 2:55. Daryl Dragon, half of the duo (who were married for many years), passed away this week at the age of 76.