Another gem from Stevie Wonder‘s deep catalog of classics: “Where Were You When I Needed You.” Released as a B-side in 1972, it was one half of a two-part medley (along with “Superwoman”). The sound was truly ahead of its time, featuring multi-layered synths and state-of-the-art production. Key change at 2:06.
Author: Mod of the Day
Glasys | Unwinder
Here’s contemporary composer and keyboardist Glasys (Gil Assayas), who toured with Todd Rundgren’s Utopia Tour 2018. Hailing originally from Israel but now based in Portland, Oregon, he’s somehow brought a slice of Frédéric Chopin‘s sound into the 21st century with this track, 2017’s “Unwinder.” There are several modulations, starting as early as 0:10.
Tina Turner | Simply the Best
Here’s Tina Turner‘s “Simply The Best” (1991), with a key change at 3:04. Thanks to Nathan Dougherty for this recommendation!
Donald Fagen | Tomorrow’s Girls
In 1993, Steely Dan‘s co-writer / keyboardist / lead vocalist Donald Fagen released Kamakiriad, his second solo album, which later garnered a Grammy nomination for Best Album. The album featured the retro-futuristic track “Tomorrow’s Girls.” After Verse 2 and Chorus 2, the bridge starts with a brief, sunny G major bridge (2:00) before a gritty guitar riff marks the return of the original key of Bb minor at Verse 3 (2:44).
The Carpenters | Only Yesterday
Here’s The Carpenters‘ “Only Yesterday” (1975), co-written by by Richard Carpenter and John Bettis. The track reached #4 on the Billboard Hot 100 and #1 on the Adult Contemporary chart, where it was the duo’s eleventh release to reach #1. The key change is at 3:31.
The Flaming Lips | Do You Realize
Ranked #31 on Rolling Stone‘s 100 Best Songs of the 2000s, The Flaming Lips‘ “Do You Realize?” (2002) features a rather unorthodox modulation from 2:25 – 2:42 before reverting to the original key.
The Guardian reports on The Flaming Lips’ Wayne Coyne’s process in bringing the song into being: “It wasn’t too far into making the album that ‘Do You Realize??’ emerged. Steven Drozd, our guitarist, liked the line: ‘Everyone you know someday will die.’ You don’t really know where the song is going until that point. There’s storytelling and it has wisdom, romance, and heartache. It’s gentle but not mellow and has elements of propulsion and triumph even though it’s lazy and sad at the same time. It also benefits from not knowing it’s going to be an important song. That’s the best thing about it. The ‘1, 2, 3, 4’ at the beginning is like the laughter at the end of ‘Within You Without You’ on the Beatles’ Sgt Pepper’s Lonely Hearts Club Band. Anything we could do to lift the song and deliver a great but not heavy message.”
Peabo Bryson | Shower You With Love
From Peabo Bryson’s 1991 album Can You Stop The Rain, this is “Shower You With Love.” Key change at 4:04 after a brilliant bridge.
Theme from “High Anxiety”
Another submission from MotD member Rob Penttinen:
The theme from Mel Brooks‘ 1977 satirical film High Anxiety, which parodies the suspense genre, features multiple modulations at 1:09, 1:36 and 2:33.
A Summer in Ohio (from “The Last Five Years”)
“A Summer in Ohio” is featured in Jason Robert Brown‘s The Last Five Years (2002), with Sherie Rene Scott on vocals. There’s a textbook half-step modulation at 3:07.
Lisa Loeb | Bring Me Up
The first musical artist to have a #1 hit (Stay / “I Missed You”) without the benefit of a contract with a record label, Lisa Loeb has gone on to release many other distinctive tunes. There’s a modulation in “Bring Me Up” (2002) during the bridge (2:10 to 2:39); then the tune reverts to its original key on its verse-based outro.