Nik Kershaw‘s classic 1986 New Wave release, Radio Musicola, was full of the UK singer’s moody, richly textured sound; the title track was no exception.
A textbook half-step ascending direct modulation at 2:03; a bridge (2:21 – 2:40) ending with a downward half-step modulation to the original key; and another modulation back to the second key at 3:06.
Audra McDonald singing “When Did I Fall In Love” from the Bock and Harnick musical Fiorello (1959). Key change before the final chorus at 2:43. Enjoy!
Released 40 years ago this week, 1978’s top-grossing movie, Grease, featured “Hopelessly Devoted to You,” a hit single by Olivia Newton-John. Modulations between each verse and chorus: 1:11, 1:47, and 2:19.
Here’s a single by Jonah Nilsson, vocalist and keyboardist for powerhouse Swedish funk/pop band Dirty Loops, “Coffee Break.” Starting out with a minimalist rap, Nilsson rapidly shifts to singing supple yet rhythmically precise lines over his trademark wall-to-wall harmonic textures.
Key shifts hit at 0:53, 2:02, 2:10, 2:17, and 2:41, plus a few other quick keys-of-the-moment.
Today, we feature Keith Jarrett playing “Danny Boy” (2002). There is a brief modulation from F major to A-flat major at 1:37, before returning to F for the remainder of the song at 2:25. An absolutely stunning performance.
From MotD member Rob Penttinen, who happened across this modulation while casually listening to the radio as he did housework(!)
The hit Michael Jackson 1979 release Off the Wall, featuring the smash hit single “Rock With You,” was produced by the legendary Quincy Jones. The 4-on-the floor groove was the sound of the clearly waning phase of Disco. Key change at 2:32.
No words needed for this 1960 release. Modulations are at 1:05, 1:32, 1:58, 2:24, 2:50, and 3:16.
Us3, a hiphop group with members from both the US and UK, is probably best known for the sample-heavy 90s hit “Cantaloop/Flip Fantasia.”
Like most of Us3’s output, “The Love of My Life” (2009) draws heavily on dense jazz-infused textures and chord progressions. But the sound is also driven by Hiphop grooves and lyrical traditions. The tune modulates up two whole steps at 0:38, pivoting between these two keys throughout: 0:56, 2:30, and 2:49.
The former weekly radio show A Prarie Home Companion is now titled Live from Here. Its new host, Bluegrass star mandolinist / vocalist Chris Thile, serves up plenty of gorgeous tunes himself in addition to material from an eclectic mix of visiting artists.
“Power Off and Carry On” (2018) has a distinct ABA form; the B section, far more than just a bridge, is an extended modulated section from 1:45 to 3:33, where the tune returns to its original key. A wonderful illustration of the contemporary edge of Newgrass with a stunning assist from vocalist / multi-instrumentalist Sarah Jarosz.
The Spinners‘ 1975 R&B release “Games People Play” begins with deceptive simplicity. But then a long line of compound chords starts at 0:41, joined by a descending chromatic bassline at 0:54. We return to the original key as we reach verse 2 at 1:05 … Etc.! There’s no single prominent modulation, but rather a feeling of pivoting easily and frequently between keys.
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