Mod of the Day

Soul of a Man (from “Kinky Boots”)

Featuring some contemporary Broadway today with “Soul of a Man” from Kinky Boots (2013). Key change around 2:18.

Gabriel Kahane | Charming Disease

Pianist/vocalist/composer Gabriel Kahane writes chamber music for the classical stage, but also gigs regularly in bars and pubs with his genre-busting contemporary acoustic music. “Charming Disease” (2011) has a bridge which hits at about the 2:00 mark, modulates at 3:01, and then settles back into the original key at 3:13.

Marian McPartland | Send In the Clowns

Here is Marian McPartland’s beautiful arrangement of Sondheim’s “Send In The Clowns” (1978), originally written for the 1973 musical A Little Night Music. There’s a dramatic key change at 3:13.

Barbra Streisand | Children Will Listen

Today we feature Barbra Streisand’s “Children Will Listen” (1993). Modulation comes early at 1:34, but the whole track is just stunning. As Allmusic.com reports, ” As a singer, Streisand‘s rise was remarkable because her popularity was achieved in the face of a dominant musical trend — rock & roll — which she did not follow.”

Bon Jovi | Livin’ on a Prayer

A classic key change: Bon Jovi’s “Livin’ On a Prayer” (1986) features a modulation that sneaks in at 3:23. VH1’s viewers voted the track #1 on its “100 Greatest Songs of the 80s” list. The tune is in 4/4 overall but skips a beat at the key change — as our ears do a double-take.

Pretenders | I’ll Stand By You

US/UK’s Pretenders, better known for guitar-driven, uptempo rock raveups, released the power ballad “I’ll Stand By You” in 1994. The tune was co-written by Pretenders frontwoman Chrissie Hynde, Tom Kelly and Billy Steinberg.

Songfacts reports on Steinberg’s memory of the songwriting experience: “I remember when we wrote it I felt two things: I felt one, we had written a hit song and I felt two, a little sheepish that we had written something a little soft, a little generic for The Pretenders … I know that Chrissie felt that way too to some extent. I don’t think she really entirely embraced it to begin with, but she certainly does now because when she plays it live, it’s one of the songs that gets the strongest response. It’s done really well for her and for us.”

The anthemic track starts in D major and features a compelling I-vi-v progression in the chorus. We’re then surprised by a rare downwards modulation to C major at 1:13, which reverts back up to the original key at 1:55.

Arabian Nights (from “Aladdin”)

“Arabian Nights” is the opening number from the Broadway musical Aladdin (2014). There are a few internal modulations, but the big one is at 5:28.

Elton John | Harmony

Elton John‘s smash 1973 album Goodbye Yellow Brick Road, considered by many to be the peak of his career, featured plenty of well-known tunes. “Harmony,” the humble B-side of the hit “Bennie and the Jets,” utilized Elton’s unique wall-of-sound multi-layered background vocals. It modulates back and forth between Eb minor and Eb major. Starting in minor, it modulates to major just before the first chorus (0:33), then back into minor for the next verse at 1:09, and then back to major at 1:31 through the short balance of this distinctive tune.

Knower | Hanging On

Via guest poster and longtime MotD booster Carlo Migliaccio comes a this track from Knower, a funk/electronica band. It centers around synthesist Louis Cole and vocalist Genevieve Artadi, both of whom studied jazz as undergraduates. The band released the hyper-kinetic track “Hanging On” in 2016. There are multiple key changes starting around 3:10.

Al Jarreau | Mornin’

Al Jarreau, the only vocalist in history to win Grammy Awards in three different categories (jazz, pop, and R&B), released his top-10 album Breakin’ Away in 1981, at perhaps the peak of his career. A standout track from the album was the feel-good tune “Mornin’,” featuring plenty of modulations in the bridge (1:55 – 2:49). Then we land back in the orignal key with an instrumental verse at the bridge’s conclusion. 3:32 features a classic direct modulation into the final verse.