Category: Elise

Simon + Garfunkel | America

Released in 1968, Simon and Garfunkel’s “America” doesn’t modulate outright, but features a sense of restless change (befitting its road trip theme) as well as several key-of-the moment sections. AllMusic‘s review deemed it a song whose “sophisticated harmonic invention is toppled by its message,” while Classic Rock History described it as “wistful and optimistic, personal and universal, and most of all, uniquely American.”

Rufus Wainwright | The Sword of Damocles

Singer/songwriter/pianist Rufus Wainwright, a dual American/Canadian national (the son of American folk artist Loudon Wainwright III and Canadian folk artist Kate McGarrigle), is known for his cutting societal commentary. His 2018 release “The Sword of Damocles” is no exception.

At 3:14, a bridge of sorts sends the tune into a series of keys-of-the-moment; at 3:26, there’s a full-blown modulation.

Fountains of Wayne | Stacy’s Mom

“Stacy’s Mom,” a 2003 power pop classic by Fountains Of Wayne, written by Adam Schlesinger, was nominated for a Grammy for Best Pop Vocal Performance. The New Yorker magazine’s Ben Greenman called it the “second-catchiest song ever written about a girlfriend’s parent” (after Simon and Garfunkel’s “Mrs. Robinson.”) The initial key of E Major shifts to G major at the bridge (2:25).

The Guess Who | These Eyes

From MotD regular Rob P.: Canadian band The Guess Who released their breakthrough US hit, “These Eyes,” in 1969. It peaked at #6 on the US Billboard chart.

After a few verses, a string of direct modulations builds during the chorus (starting at 1:42); the tune reverts to the original key for the next verse at 2:40. 3:00 marks the start of chorus/outro, stacking yet more modulations until the fadeout, augmented by boffo amounts of strings and brass.

Talk Talk | It’s My Life

British New Wave band Talk Talk scored a #1 US dance hit in 1985 with ”It‘s My Life,” written by Mark Hollis and Tim Friese-Greene. The tune was later very successfully covered by No Doubt in 2003, resulting in top-20 chart positions around the world. The intro and verse are based around an Eb to Db/Eb vamp — a deceptively simple progression obscured by the percolating bass line and layered synths. The chorus (starting for the first time at 0:53) is centered around A minor. The instrumental bridge (2:31 – 2:55) is based on Bb minor.

Don Henley | Sunset Grill

1984 saw the release of “Sunset Grill,” a top-10 hit from vocalist / drummer / singwriter Don Henley (best known for his work with The Eagles.) The horn section and Pino Palladino‘s fretless bass lines are standouts on this track, which was written in honor of an actual Los Angeles burger joint — still in business on the legendary Sunset Boulevard despite several ownership turnovers through the years. The direct whole-step modulation is at 4:03.

Orleans | Love Takes Time

Orleans scored a bubbly Top 40 and adult contemporary hit with “Love Takes Time” (1979). “When ‘Love Takes Time’ peaked at #11, right above it was England Dan and John Ford Coley’s ‘Love is the Answer’ at #10, ‘Stumblin’ In’ by Suzi Quatro and Chris Norman at #9, and ‘Just When I Needed You Most’ by Randy Vanwarmer at #8.

That whole sound, known as yacht rock today, blended well together — offsetting the disco hits in the top seven positions during that genre’s peak.” (Goldmine).

Orleans’ trademark multi-vocalist firepower is in evidence throughout the track. Several of the tune’s verses and choruses, as well the bridge, come and go before the modulation finally arrives at 3:01.