Category: Elise

Diana Ross | It’s My Turn

“It’s My Turn” (1980), the theme song for the film of the same name, was written by Carole Bayer Sager (lyrics) and Michael Masser (music). The late 70s and early 80s saw Diana Ross‘ continued professional ascent, despite the 1977 breakup of The Supremes, the group which brought her to prominence. A major single for Ross, the tune peaked at #9 on the Billboard Hot 100 chart, #14 on the Soul chart, and #9 on the Adult Contemporary chart. There are multiple modulations, with the first at 0:26.

To quote a friend who is definitely a Diana fan: “When has it EVER not been her turn?” 🙂

The Who | My Generation

#11 on Rolling Stone magazine’s “500 Greatest Songs of All Time” list is “My Generation” by The Who. A short section of AllMusic‘s review of the 1965 release: “An explosive debut, and the hardest mod pop recorded by anyone. Pete Townshend‘s exhilarating chord crunches and guitar distortions threaten to leap off the grooves…” This classic features modulations at 1:19, 1:49 and 2:26.

Neil Sedaka | Laughter In the Rain

Neil Sedaka‘s 1975 release, “Laughter in the Rain,” is well under three minutes long — but it packs in plenty of harmonic complexity. Sedaka had a long career as a Brill Building-based songwriter (including composing “Where the Boys Are” for Connie Francis) but also found his own success as a performer.

The F major of the intro and verse transitions to Ab major at the chorus (0:36) and then back to F major for the next verse (0:57), etc. The track hit #1 in the US and Canada — and #2 in Yugoslavia!

Mike + the Mechanics | All I Need Is a Miracle

A longtime guitarist and writer for Genesis, Mike Rutherford set out on his own in the mid-80s to form Mike and the Mechanics.

“‘Most musicians make solo albums because they’re frustrated in their main band,” (The Guardian). “I think Genesis were uniquely different: we all loved being in the band but ran solo projects … I’ve never written a song like ‘Miracle’ since. I can’t think of any other song quite like it – it’s uplifting without being sugary, hopeful rather than smug. There’s a bit of sadness in there. But there are some clever key changes and it really lifts the audience.”

The Mechanics’ top 5 US hit, “All I Need is a Miracle” (1987) modulates twice, each time up a whole step, at 1:51 and 2:54.

Beck, Robyn + The Lonely Island | Super Cool (from “Lego Movie 2”)

The closing credit sequence for Lego Movie 2 (2019) has something for everyone, including a smile or two for the parents in the audience for its unapologetic “pro-credits = pro-reading” stance. Beck, Robyn, and The Lonely Island collaborated on this funk/pop/hiphop track. The tune starts in A major, drops a rollercoaster instrumental mini-bridge at 2:28, and lands in B major at 2:32.

The Monkees | Theme from “The Monkees” TV Show

A boy band before the term was even coined, The Monkees were assembled by TV professionals to cast a music-centric sitcom (1966-1968) “about an imaginary band… that wanted to be the Beatles,” according Monkee Mickey Dolenz. Eventually, the actors learned to play their instruments for real, continuing as a band until 1971 and producing several huge hits. The brief theme song from the TV show manages to pack in two direct modulations at 0:26 and 0:36.

Culture Club | Victims

Boy George & Culture Club released the ballad “Victims” in 1983. The track was a Top 10 hit throughout Europe, but wasn’t released as a single in the US, despite the fact that the band was enjoying the height of its sudden fame at that time. The associated album, Colour by Numbers, sold more than 10 million copies worldwide and appeared on Rolling Stone magazine’s “100 Best Albums of the 1980s” list.

The intro, in Bb minor, shifts to a verse in Ab major at 0:31, then a brief chorus at 0:45 reverts to Bb minor. A long bridge (1:24 – 2:20) in Bb major then shifts to Bb minor from 2:20 to 2:39. Etc.!

Lee Ritenour | Is It You?

Described by AllMusic as a “flawless musical chameleon,” Grammy-winning guitarist Lee Ritenour has collaborated as a session musician with artists from Pink Floyd to Quincy Jones to Dizzy Gillespie as well as releasing many of his own albums. His pop/jazz hybrid release “Is It You” (1981) reached number 15 on both the U.S. Billboard Hot 100 and Adult Contemporary charts.

There’s a classic direct modulation at 3:17, but the bridge (2:23 – 2:53) is perhaps more interesting, pivoting all over the place harmonically.

David Bowie | Young Americans

David Bowie‘s 1975 album, Young Americans, featured a title track which played up Bowie’s love for soul and R&B — a departure from his previous glam-rock style. R&B/soul vocalist Luther Vandross contributed backup vocals to the track. Self-deprecating as usual, Bowie described the album as “plastic soul…the squashed remains of ethnic music as it survives in the age of Muzak rock, written and sung by a white limey.” Modulation at 2:39.