John Mayer | Still Feel Like Your Man

“I feel like I never touched the ground those three days,” John Mayer said in an interview with Rolling Stone, discussing his process for writing this tune. “Like ‘Let’s not worry about what this might draw from and be true to whatever it is.'”

Mayer also confirmed that the ex he is singing about in the lyric is Katy Perry, who he dated for four years, and claimed he spent more hours fine tuning the song than any other he has recorded.

The track is the lead single from the extended EP The Search for Everything: Wave 2, released in 2017. It begins in D and then detours briefly to Bb (and a new half-time feel) for the bridge after the second chorus at 1:47 before seamlessly returning to the chorus in the original key at 2:28.

Michael W. Smith | Place In This World

American singer/songwriter and three-time Grammy winner Michael W. Smith wrote “Place In This World” with Wayne Kirkpatrick and Amy Grant for his sixth studio album, Go West Young Man, released in 1990. The track ended up being his biggest mainstream success, reaching the #6 spot on the Billboard Hot 100.

In an interview with Songfacts, Smith recalled hearing a story about how the song helped someone who was suffering. “Well, the one story I remember vividly, I could still go back to reading the letter, was some young girl, I think she was 18 or 19 years old, and had a horrific childhood in terms of abuse and that sort of thing. And she was suicidal. She gave me this whole story in a two page letter. She was driving down the freeway and listening to a pop radio station and heard ‘Place In This World’ and pulled over and began to weep. And had this encounter with God on the side of the interstate. And her life forever changed. And that’s the one that I’ll never forget. There’s been plenty of people talk about ‘A Place In This World’ but that’s the one letter that I’ll never forget.”

The track begins in B and modulates to C leading into the instrumental bridge at 2:15.

The Phantom of the Opera (from “The Phantom of the Opera”)

For the second and final installment of our series marking the closing of Phantom of the Opera on Broadway, we feature the title song. Immediately defined by the iconic descending chromatic scale on the organ at the beginning, the tune also has many key changes scattered throughout. Beginning in D minor, it moves to G minor at 1:08 for the second verse and E minor at 1:48 for the third. There is another shift to F# minor at 2:48, followed by G# minor at 3:04 where it remains till the end.

Wishing You Were Somehow Here Again (from “The Phantom of the Opera”)

Andrew Lloyd Webber’s musical The Phantom of the Opera ended its record-setting 35-year Broadway run at the Majestic Theatre this past weekend, so this week we are going to feature two songs from the score. “Wishing You Were Somehow Here Again” is sung by Christine in Act 2 at her father’s grave as she looks for solace and advice. The song passes between G minor and G major for the first two verses and choruses, and then modulates up to Bb for the last chorus at 2:36.

Independently Owned (from “Shucked”)

“Independently Owned” is from the new Broadway musical Shucked. Composed by first-time musical theatre writers Brandy Clark and Shane McAnally, the song is performed in the show by Lulu (played by Alex Newell), shown here recording the track for the cast album. Not only does the tune have a modulation, but Lulu announces it while she’s singing at 1:28; she kicks it up another notch (a third, to be precise) at 1:45.

Bobby Vinton | Mr. Lonely

“Mr. Lonely” was the last #1 single released by American singer Bobby Vinton, and the only one that wasn’t a cover.

Vinton wrote the song while serving in the army, and the lyric depicts a solider who is missing home. Epic Records initially gave the song to Buddy Greco to record, but his rendition didn’t crack the top 50 on the charts; when Vinton included the track on his greatest-hits collection in 1964, it quickly became a hit and remained his favorite recording.

The tune begins in E and modulates up to F at 1:26.

Randy Rainbow | Grumpy Trumpy Felon from Jamaica in Queens

MotD favorite Randy Rainbow released his latest song parody yesterday, riffing on the 1941 song “Boogie Woogie Bugle Boy,” written by Don Ray and Hughie Prince and originally recorded by The Andrews Sisters. The tune starts in Bb and modulates up to B at 2:58.

Bleachers | I Wanna Get Better

“I Wanna Get Better,” released in 2014, was the debut single of the indie band Bleachers, fronted by Jack Abramoff. ” [I see this song as] the story of my existence so far and a lot of the things I struggled with,” Abramoff said in an interview with Rolling Stone. “A lot of things on the album, including this song, are about loss…It feels joyous, but for me it’s very desperate.”

Abramoff recorded all the instruments himself in addition to singing the lead vocal. The track was critically acclaimed and remains the group’s #1 song. It begins in E and modulates very briefly up a step to F# major at 1:52 before returning to E at 2:02.