Category: Rob

Madness | The Sun and the Rain

The Guardian suggests that Madness “are still perhaps England’s greatest post-Beatles singles group. ‘The Sun and the Rain’ was a tribute to precipitation, and what could be more English than that? Accompanied by an urgent, string-laden stomp,” the lyric speaks of “standing up in the falling down.” The track was released in 1983 as a stand-alone single, reaching 10 weeks on the UK Singles chart (peaking at #5). It later appeared on the group’s subsequent album, but only after its strong showing as a single.

Setting the tone, there’s a quick key change from the intro into the first verse at 0:34. Taking a back seat to the band’s unique piano-driven post-ska sound and goofy, irreverent style, the main modulation drops with minimal fanfare between two choruses at 2:49. Many thanks to MotD regular Rob Penttinen for this submission!

The Beach Boys | Be True to Your School

Continuing with Beach Boys week: “Be True to Your School,” by Brian Wilson and Mike Love of The Beach Boys, was released in 1963. The melody of the University of Wisconsin fight song, “On, Wisconsin,” can be heard on the track. There was also single version, which was released with “In My Room”. The tune peaked at #6 on the Billboard charts, but also #3 in New Zealand, #6 in Sweden, and #10 Australia. However, the single performed best back home in Los Angeles: three weeks at #1, according to airplay on KFWB.

The key change is at 1:54, interspersed with cheerleader chants. Many thanks to Rob Penttinen for this submission!

Cheryl Lynn | Got to Be Real

One of the all-time legends of the disco genre, 1978’s “Got To Be Real” was Cheryl Lynn‘s debut single. Although it’s had huge staying power, the track somehow only reached #11 on the disco charts. A writing collaboration among Lynn, Toto‘s keyboardist David Paich, and master songwriter/arranger David Foster, the tune was inducted into the Dance Music Hall Of Fame in 2005.

The whole-step key change hits early, at the 1:38 mark. But Lynn’s supple soprano continues to carry her through with ease, stretching all the way up to a lofty C6 (two octaves above middle C) at 2:58.

Many thanks to MotD regular Rob Penttinen for the submission!

Joan Jett + The Blackhearts | Bad Reputation

“Bad Reputation,” an uptempo guitar-fueled tune which clocks in at well under three minutes, was the title track of a 1981 album by Joan Jett and the Blackhearts. Thanks to MotD fan Rob Penttinen for submitting this track!

Music Connection Magazine reports that “Jett took the record to a number of major record labels, none of which were interested in releasing the project. Rather than continue to hunt for a willing label, Laguna (the producer) and Jett decided to fund the pressing of the album themselves … (and) sold directly to concert-goers and record stores out of Laguna’s car trunk.”

Typical of Jett, (also known as “The Godmother of Punk”), the track is a classic 3-chord rocker — with the exception of a full-step modulation at 1:07.

Ian Dury + the Blockheads | Hit Me With Your Rhythm Stick

After multiple requests from *two* regular contributors, JB and Rob Penttinen, here is “Hit Me with Your Rhythm Stick” (1978) by Ian Dury. Stricken by polio in his native UK at age 7, Dury didn’t allow anything to slow him down. His band, Ian Dury (and the Blockheads), mixed funk textures, gonzo punk sensibilities, and cutting lyrics.

The track features F minor verses and F major choruses, with a few quick nods to F minor even during the choruses. It reached #1 in the UK, #2 in Australia, and Top 10 across much of Europe.

The Guess Who | These Eyes

From MotD regular Rob P.: Canadian band The Guess Who released their breakthrough US hit, “These Eyes,” in 1969. It peaked at #6 on the US Billboard chart.

After a few verses, a string of direct modulations builds during the chorus (starting at 1:42); the tune reverts to the original key for the next verse at 2:40. 3:00 marks the start of chorus/outro, stacking yet more modulations until the fadeout, augmented by boffo amounts of strings and brass.