The children’s animated series DuckTales ran for 100 episodes during the late 80s, featuring the full slate of Disney’s duck characters. The 1988 theme, a catchy pop earworm for sure, modulates upwards at 1:22, back down at 1:39, and upwards again at 2:00.
Leona Lewis | Footprints In the Sand
“Footprints In the Sand” appeared on the debut album of UK vocalist Leona Lewis, Spirit, in 2007. The track features two key changes, at 2:14 and 2:34.
The Maccabeats + Naturally 7 | Shed a Little Light
This tune features more of a key-of-the-moment shift than a true modulation, but we hope we’ll be forgiven. ❤ Here are two top-drawer a capella ensembles, The Maccabeats and Naturally 7, collaborating on a gorgeous 2016 cover of James Taylor‘s “Shed a Little Light” (1991), honoring Martin Luther King, Jr. amid Washington, DC’s monuments.
Set overall in Bb major, the tune shifts to a v minor / bVII major / I major vamp as the bridge starts at 1:53, returning to a straightforward Bb major at 2:17.
Frank McComb | Somebody Like You
Our follower Christopher Fox submitted keyboardist/vocalist Frank McComb‘s 2013 track “Somebody Like You.” This relaxed video follows McComb on a tour of the Netherlands. According to AllMusic, McComb has collaborated with a laundry list of artists: Rude Boys, DJ Jazzy Jeff and the Fresh Prince, Chaka Khan, Prince, Will Smith, Najee, George Duke, Gamble and Huff, Patrice Rushen, and many more. In 1994, McComb collaborated extensively with saxophonist Branford Marsalis on the jazz-rap fusion project Buckshot Lefonque.
After the short but punchy bridge at 2:54, the modulation hits at 3:13.
A Love That Will Last (from “The Princess Diaries 2”)
“A Love That Will Last,” performed by Renee Olstead, was featured in The Princess Diaries 2 (2004). The track was written by David Foster and Linda S. Thompson. The key change is at 2:39.
Cat Stevens | King of Trees
Cat Stevens’ “King of Trees” is from his 1974 album Buddha and the Chocolate Box, whose focus AllMusic describes as “the spiritual nature of his creative quest…the songs littered with religious imagery.” In 1977, Stevens rejected his pervasive music stardom, changed his name to Yusuf Islam, converted to Islam, and later questioned whether music has a role whatsoever in that religion. During the 1990s, Yusuf returned to songwriting and performing.
An impassioned plea for full recognition of humanity’s inextricable connection with nature, the tune begins with church-like pipe organ and choral flourishes but then shifts to the rich contemporary instrumentation for which Stevens’ music is well known. Primarily in C major, there’s a modulation to Eb at the bridge at 2:28 and a few quick pivots before returning to C major at 2:59.
Gordon Goodwin’s Big Phat Band | The Jazz Police
“The Jazz Police” is featured on Gordon Goodwin’s Big Phat Band‘s 2003 album XXL. There are key changes at 4:17 and 4:24.
Enrico Pieranunzi | Jona Che Visse Nella Balena
Italian jazz pianist Enrico Pieranunzi, who has played with the likes of Chet Baker, Paul Motian, and Charlie Haden, released the trio album Play Morricone (2002) with bassist Marc Johnson and drummer Joey Baron. The album’s focus is the broad discography of composer Ennio Morricone, who has written over 400 scores for film and TV.
“Jona Che Visse Nella Balena” (Jonah Who Lived In The Whale), a solo track, modulates at 1:18, 2:36, and 4:10.
The Beach Boys | Fun, Fun, Fun
Wrapping up Beach Boys week is “Fun, Fun, Fun,” a 1964 single by The Beach Boys which features a guitar riff during the opening inspired by Chuck Berry’s iconic “Johnny B. Goode”. The track hit #5 in the US, #5 in Australia, and #8 in New Zealand.
The tune modulates at 1:51. Many thanks to frequent contributor JB for this submission and so many others!
The Beach Boys | Be True to Your School
Continuing with Beach Boys week: “Be True to Your School,” by Brian Wilson and Mike Love of The Beach Boys, was released in 1963. The melody of the University of Wisconsin fight song, “On, Wisconsin,” can be heard on the track. There was also single version, which was released with “In My Room”. The tune peaked at #6 on the Billboard charts, but also #3 in New Zealand, #6 in Sweden, and #10 Australia. However, the single performed best back home in Los Angeles: three weeks at #1, according to airplay on KFWB.
The key change is at 1:54, interspersed with cheerleader chants. Many thanks to Rob Penttinen for this submission!