Weekend bonus mod: From our Twitter follower @PTMusicGrind comes “Spirit of the Season” from The Polar Express(2004). The piece was composed by Alan Silvestri, a multiple Academy Award and Golden Globe Award nominee.
The piece is a parade of modulations; the first key change arrives at 0:33.
Weekend bonus mod: thanks to frequent contributor JB! Written by Gian Carlo Menotti, an Italian-American composer and librettist, Amahl and the Night Visitorsfirst aired on NBC on Christmas Eve, 1951; it was the first opera written specifically for television and was intended to be children’s programming.
According to Opera Magazine, Menotti was challenged by deadlines; he was assisted by his composition colleague Samuel Barber in completing the orchestrations, which were first performed under the baton of NBC Symphony Orchestra conductor Arturo Toscanini. The production, later staged by many opera companies, was aired on national TV for eleven years straight; sporadic performances have continued over the years.
The main theme is repeated in several keys; the first modulation is at 0:33.
Today we feature another rendition of “Go Tell It On the Mountain,” featuring the inimitable Dolly Parton, from her 1990 album and television special Home for Christmas. Key changes at 1:24 and 2:17.
Our special “Go Tell It On the Mountain” series features The Blenders‘ arrangement from their 2005 album Most Wonderful Time. Key changes at 3:38 and 3:56.
Credit goes to Noah Anderson for this incredible find — “The 12 Days of Christmas,” performed by Béla Fleck and the Flecktones (2008). There are key changes nearly every bar.
“Do You Want to Build a Snowman” appears on Lea Michele‘s new Christmas album out this year, Christmas In The City. Michele is perhaps best known for her role on “Glee”. Key change at 2:00.
“One Little Christmas Tree” is a beautiful little tune from Stevie Wonder‘s 1967 Christmas album Someday at Christmas; it features a key change at 2:14.
Here’s “The Wexford Carol,” performed by genre-jumping cellist Yo-Yo Ma and bluegrass/country vocalist and violinist Alison Krauss. Gently arranged over a colorless Eb drone, the piece switches from Eb major to Eb minor and back to Eb major within each verse. The carol’s origins are shrouded in mystery; according to Digital Medievalist, some claim that it dates back as far as the 12th century, though that seems unlikely. What’s known for certain is that in the late 1800s, it was incorporated into Oxford Book of Carols, likely the world’s best best known carol compilation.
Many thanks to first-time MotD contributor Steven Travis for this track!