The first musical artist to have a #1 hit (Stay / “I Missed You”) without the benefit of a contract with a record label, Lisa Loeb has gone on to release many other distinctive tunes. There’s a modulation in “Bring Me Up” (2002) during the bridge (2:10 to 2:39); then the tune reverts to its original key on its verse-based outro.
Patti Page | Old Cape Cod
Here’s Patti Page‘s 1957 tune “Old Cape Cod.” It became a gold record, selling over a million copies; peaking at #7 on Billboard’s Top 100 chart, it became the unofficial Cape Cod regional anthem. Modulation at 2:04.
A New Life (from “Jekyll + Hyde”)
Here’s @LindaEder‘s rendition of “A New Life” from “Jekyll and Hyde” (1997), in which she debuted on Broadway as the tragic character Lucy and later garnered a #DramaDesk nomination. The key change is at 3:06.
George Benson | 20/20
Shape-shifting guitarist/vocalist George Benson, a Pittsburgh native, had a string of hits in the 1970s and 1980s, pulling from his 36 albums to date. “20/20” (1984) made a splash on three charts: #45/Pop, #20/R&B, and #3/Jazz.
The tune features a bridge with plenty of compound chords (1:50 – 2:25) which remains in the original key. The third verse (2:25) hits with a direct modulation, followed by Benson’s effortless duet combination of guitar and wordless vocals.
Barbara Streisand + Seth McFarlane | Pure Imagination
A 2016 classic sung by Babs and Seth Mcfarlane, with a bonus tribute video to Gene Wilder. Key change at 3:05.
Pat Metheny | A Map of the World
Like much of his work, guitarist / composer Pat Metheny‘s 1999 soundtrack release for the film Map of the World features quickly shifting, sometimes nearly constant key-of-the-moment passages. The track features two main sections, each played twice. Section 1 (0:00 and 2:30) pivots between G major and E minor (among others), while section 2 (1:13 and 3:41) is loosely built around A major. At 5:12, there’s a brief return to section 1’s tonality for the outro.
Bring Me to Light (from “Violet”)
“Bring Me To Light” from Jeanine Tesori‘s musical Violet (2015) is filled with some amazing key changes, outlined below:
Starts in A Major
to G Major (0:43)
to E Major (1:02)
to Gb Major (1:33)
to G Major (2:04)
to C Major (subtly) (2:20)
to Eb Major to the end (2:39)
Robert Palmer | Know By Now
Unlike his huge 1980s hits, pop/soul artist Robert Palmer‘s 1994 release “Know By Now” was more subtle than flashy. It reached only #25 in the UK and garnered next to no airplay in the US. Sadly, in 2003, Palmer died of a heart attack at the age of only 54. The track, which Billboard magazine reviewed as “stick(ing) to the brain after one spin,” features key changes at almost every turn. The prominent placement of the word “honey” in the lyrics (1:35, etc.) seems to be a nod to the host album’s title.
Palmer told The Canadian Press in 1994: “I happen to think that it is probably the best song I’ve written for many reasons – first of all, it’s three songs in one, in that each piece of it was a separate inspiration at a different time, not merely a reason to get from A to C.”
0:00 C# Major (intro, after a brief F# Minor key of the moment)
0:38 E Minor (verse)
1:11 C# Major (pre-chorus)
1:36 F# Minor (chorus)
1:58 E Minor (verse)
2:30 C# Major (pre-chorus)
2:55 F# Minor (chorus to end)
The Foundations | Build Me Up, Buttercup
The Foundations released their hit “Build Me Up, Buttercup” in 1968; it reached #1 in the US, Canada, and Australia. It’s often played during the 7th inning stretch during Los Angeles Angels games. The key change is at the tail end of this short single (2:45), just as the tune begins its fade-out.
Washington, DC Community Choirs | National Anthem
From Tuesday’s MLB All-Star Game, featuring a double modulation at 1:11 and 1:23 (2018). Enjoy!