Reign of Kindo | The Hero, The Saint, The Tyrant + The Terrorist

The Reign of Kindo, a NYC-based quintet which frequently adds lots of extra instrumentation, has been releasing music somewhere between funk, jazz fusion, and progressive rock for over a decade. Featuring a 5/4 time signature, this 2013 tune modulates four times: during an instrumental break (3:13 and 3:20) and again at 3:28 and 3:42.

They Just Keep Moving the Line (from “Smash”)

Today, we feature Megan Hilty singing “They Just Keep Moving the Line” from the TV show Smash (2012). While the show itself turned into a bit of a soap opera, some really incredible songs came out of it, and this is one of the best. Modulation at 2:06, but the whole performance is fantastic. Enjoy!

Seal | Prayer for the Dying

Seal‘s 1994 track “Prayer for the Dying,” which charted in both the US and the UK, pivots between two keys at each transition between verse and chorus (and vice versa). The title is a little misleading: the track overflows with funk energy and Seal’s trademark enigmatic lyrics. Mods at 1:07, 1:40, 2:01, 2:31, 3:00, and 3:44

Earth, Wind + Fire | After the Love Has Gone

“Earth, Wind & Fire held a lofty status as the perhaps the preeminent R&B band in America as they began making their 1979 album I Am,” (American Songwriter). “It was by no means an overnight journey to get to that exalted status. Early in the ‘70s, the Chicago-based outfit labored to find a widespread audience. That all changed in 1975 with the release of the album That’s the Way of the World. Spurred by a No. 1 hit single in “Shining Star,” the album ended up hitting the top of the charts as well. EWF sustained that momentum through a series of smash LPs and singles in the second half of the decade.

Although they wrote much of their own material, the band occasionally looked to outside sources as well. That’s how they nabbed “After the Love Has Gone,” which was penned by a trio of writers who didn’t have any idea they were going to be submitting the song to an R&B band.”

This classic power ballad, co-written by Bill Champlin, David Foster, and Jay Graydon, reached #2 in the USA during the summer of 1979. The first modulation is at 0:53; thereafter, the mods are too numerous to track!

UPDATE, April 2021: We were mistaken … The internet’s friendliest guide to music theory, Charles Cornell, tracked all the key changes!

Mark Shilansky + Fugue Mill | Ordinary World

After becoming Exhibit A for chart-topping synth-pop blockbusters in the early 80s, Duran Duran scored an uncharacteristically understated hit in 1993 with the ballad “Ordinary World.”

Boston-based pianist/bandleader/educator Mark Shilansky and his band Fugue Mill have thoroughly re-harmonized and restructured the tune with their 2014 cover, stacking verse after verse.

Finally, the single extended chorus arrives (at 3:33) with cascading modulations nowhere to be heard in the original.

Five Stairsteps | O-o-h Child

Q: What do Lisa Loeb, The Spinners, Trey Anastasio, and Milton Nascimento have in common?

A: They’ve all covered the classic R&B tune by the Five Stairsteps, “O-o-h Child.”

Not content to wait for a bridge or a last verse, this 1970 release features modulations starting almost right out of the gate (0:38, between the first verse and the first chorus). The track hit top 10 status in both the US and Canada.

Reba McEntire + Kelly Clarkson | Does He Love You

Today we feature Reba McEntire and Kelly Clarkson singing “Does He Love You” (2002) with a modulation around 4:49. The track won a Grammy for Best Country Vocal Collaboration back in 1994. This audience knows what’s going down, since they applaud right when the key change happens!