Today we feature a guest post from frequent MotD contributor Jonathan Jharms Harms — Tom Lehrer’s “We Will All Go Together When We Go” (1967).
“Lots of unprepared modulations to communicate the unhinged nature of the song, while still keeping the ‘high propriety’ style intact to mask the insanity. Guess I’m specifically referencing verses 3 and 6. Those two have unnatural unprepared modulations that both evoke military marches and unstable harmonic shifts, but they’re mixed in with more natural 1/2 step increases from verse to verse, a much more normal form of modulation.”
Tag: 1960s
Glen Campbell | By the Time I Get to Phoenix
Glen Campbell’s breakthrough single, “By the Time I Get to Phoenix” (1967) reached #2 on the US Country charts, #1 on the Canadian Country charts, and #26 on the US pop charts. The tune was written by Jimmy Webb, perhaps best known for writing “MacArthur Park.” The Philadelphia Daily News reported that Frank Sinatra called it “the best torch song ever written.” BMI ranked the tune #20 on its list of Best Songs of the Century. An example of the “Nashville Sound,” also known as “Countrypolitan,” the tune garnered Grammy awards for Best Male Vocal Performance and Best Contemporary Male Solo Vocal Performance.
The list of artists who’ve covered the track is nothing short of staggering. A partial list: Isaac Hayes, Anne Murray, Dionne Warwick, Engelbert Humperdinck, Reba McEntire, Nick Cave + the Bad Seeds, and … Sinatra.
F major is in effect until 2:22, when the tune modulates to D Major at the very end, just as Campbell sings the last few words of the lyric.
A Quiet Thing (from “Flora, the Red Menace”)
John Kander & Fred Ebb‘s musical Flora, The Red Menace opened on Broadway in 1965, featuring Liza Minnelli, making her debut on the Great White Way in the title role. While the score overall is not particularly memorable, “A Quiet Thing” stands out as one of Kander & Ebb’s best ballads. Performed here by the late Marin Mazzie. Key change at 1:05.
My Favorite Things (from “The Sound of Music”)
“My Favorite Things” is from the beloved (and last) Rodgers & Hammerstein musical The Sound of Music, which premiered on Broadway in 1959. Starring Mary Martin, the musical theatre production was followed by the classic film adaptation in 1965, starring Julie Andrews. The song passes seamlessly between E minor, and the parallel and relative major, E and G respectively, throughout the song. I hope this classic tune brings a smile to your face, a warmth to your heart, and a reminder of your favorite things.
Brenda Lee | Danke Schön
“Danke Schön” is originally a pop song of German origin, written in 1959 by Bert Kaempfert and Kurt Schwabach. The track gained international fame when it was recorded by Wayne Newton in 1963. The version featured here, performed by Brenda Lee, was included on her 1964 album By Request. Key changes at 0:34, 1:01, 1:28, and 1:55.
Max Embers | For Once In My Life
Max Embers, an LA-based singer/songwriter originally from Germany, has produced many original tunes, including “Lookin’ Up,” featured on the TV series Songland in 2019. On the series, Embers competed with several other songwriters to have a song chosen for a performance setlist by John Legend.
Here, Embers covers a 1967 classic by one of his musical heroes, Stevie Wonder: “For Once In My Life” (2019). The modulation is at 2:05.
Smokey Robinson + The Miracles | Baby Baby Don’t Cry
Via our frequent contributor JB:
“This 1969 tune is a classic. There’s only one big mod (at 3:15), but the bridge that builds to it begins at 2:40, generating a huge amount of tension. When the mod finally comes, it’s as cathartic as a dam bursting. A great example of how an artful mod can infuse an otherwise-sleepy melody with a lot of dramatic tension.”
Elvis Presley | If I Can Dream
Written by W. Earl Brown and originally performed by Elvis Presley in 1968 just a few months after Martin Luther King Jr.’s assassination, “If I Can Dream” frequently quotes Dr. King directly in its lyric.
The song marked the rebirth of Elvis’ career after he had spent most of the 1960s recording mainly soundtracks to the movies he was appearing in. This was the final song he sang on Elvis, his 1968 NBC comeback special in the USA which was his first live performance in seven years. Key change at 2:02.
Sergio Mendes and Brasil ’66 | The Fool on the Hill
1968 saw a distinctive cover of The Beatles‘ “The Fool on the Hill” by Sergio Mendes and Brasil ’66. Like the original, the tune modulates from major to minor as the verse shifts to the chorus (here at 0:47) and back again (1:03).
According to The Sydney Morning Herald, Mendes was enamored of the tune and thought “‘Wow, I think I can do a totally different arrangement.’ He said Paul McCartney later wrote him a letter to thank him for his version of the song.”
Can’t Help Falling In Love With You (from “All Shook Up”)
“Can’t Help Falling In Love With You” is featured in the 2005 Elvis jukebox musical All Shook Up. Most every cover of this song (and the original, released in 1961) includes a key change or two, but this one at 1:42 is particularly dramatic.
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