Allan Sherman makes his MotD debut with “The Twelve Gifts of Christmas” (1963)! Key change at 2:30, but this one is worth listening to the whole way through. Have a good weekend!
Tag: 1960s
Ella Fitzgerald | Jingle Bells
No holiday season is complete without Ella! “Jingle Bells” (1960) features a key change at 1:45. Enjoy!
Otis Redding | Merry Christmas, Baby
Happy Monday! Starting off the week with Otis Redding’s “Merry Christmas Baby” (1968). Key change at 1:35. Thanks to MotD fan Paul Steckler for this contribution!
Tom Lehrer | Who’s Next
Here’s something a little different: this is the genius Tom Lehrer’s “Who’s Next” (1965), featuring FIVE modulations: 1:06, 1:21, 1:35, 2:02, and 2:17.
The Guess Who | These Eyes
From MotD regular Rob P.: Canadian band The Guess Who released their breakthrough US hit, “These Eyes,” in 1969. It peaked at #6 on the US Billboard chart.
After a few verses, a string of direct modulations builds during the chorus (starting at 1:42); the tune reverts to the original key for the next verse at 2:40. 3:00 marks the start of chorus/outro, stacking yet more modulations until the fadeout, augmented by boffo amounts of strings and brass.
Eddie Holman | Hey There Lonely Girl
The Legendary Eddie Holman‘s “Hey There Lonely Girl,” released in 1969, peaked at #2 in the US, #1 in Canada, and #4 in the UK when it was released there a few years later. The tune was later covered by many artists, including Donny Osmond and New Edition. Modulation at 2:14.
Why Should I Wake Up (from “Cabaret”)
Today we feature Kander & Ebb’s “Why Should I Wake Up?” from Cabaret (1966). Key change at 1:35. Enjoy!
Todd Rundgren | Hello, It’s Me
First released by Todd Rundgren during his stint with the band Nazz 50 years ago (October 1968), Rundgren’s subsequent solo version (1972) reached #5 on the US pop charts. The tune features a horn section including Randy Brecker and Michael Brecker, among other top-drawer players. Something/Anything, the album which featured the single, was later voted #173 on Rolling Stone‘s “500 Best Albums of All Time.”
The half-step modulation at 2:45.
Leslie Gore | You Don’t Own Me
Released in 1963, Leslie Gore‘s “You Don’t Own Me” was a #2 hit in the US (also top 5 in Australia, New Zealand, and the UK). The tune has had a sustained half-life as a feminist anthem.
Produced by studio legend Quincy Jones, the tune packs multiple modulations into its two and a half minutes. The verse is in G minor, but transitions to G major for the chorus (0:31); the same pattern holds true for verse 2 and chorus 2; multiple direct half-step modulations follow at 1:03, 1:19, and 1:34.
The Foundations | Build Me Up, Buttercup
The Foundations released their hit “Build Me Up, Buttercup” in 1968; it reached #1 in the US, Canada, and Australia. It’s often played during the 7th inning stretch during Los Angeles Angels games. The key change is at the tail end of this short single (2:45), just as the tune begins its fade-out.