MotD fan Mont Chris Hubbard contributed this 2006 tune, “Everything ‘Bout It Is a Love Song,” from Paul Simon:
“This song’s final verse is a half-step higher – no big whoop – but the way he gets there is very interesting!”
MotD fan Mont Chris Hubbard contributed this 2006 tune, “Everything ‘Bout It Is a Love Song,” from Paul Simon:
“This song’s final verse is a half-step higher – no big whoop – but the way he gets there is very interesting!”
American Bluegrass/Newgrass mandolinist Chris Thile, known for his work with Nickel Creek and Punch Brothers, released his fourth solo album, Deceiver, in 2004. After a chaotic bridge from 2:50 to 3:10, “I’m Nowhere and You’re Everything” modulates at 3:10, 3:42, and 4:06.
From The Houston Chronicle‘s review: “If you expected Thile to cater to Bluegrass orthodoxy and Newgrass’ oft-meandering constructs, this album’s title suggests you’ve been duped.”
Merry Christmas Eve! We end our holiday programming where we began, with the legendary Whitney Houston and a medley of “Deck The Halls/Silent Night” (2003). THREE key changes at 0:50, 1:40, and 2:28. Have a wonderful evening and holiday tomorrow!
Not your traditional Christmas song, but if Babs puts it on her Xmas album (2001) that’s good enough for me. Key change at 2:32.
The Blenders are today’s version of “O Come, All Ye Faithful” (2002), with a key change at 0:52. Enjoy!
Today we feature James Taylor’s “Sweet Potato Pie,” performed here with Ray Charles (2004). Key changes at 1:59 and 2:14.
Here’s Carrie Underwood’s track “Whenever You Remember,” released in 2005. Key change at 2:46.
“Stacy’s Mom,” a 2003 power pop classic by Fountains Of Wayne, written by Adam Schlesinger, was nominated for a Grammy for Best Pop Vocal Performance. The New Yorker magazine’s Ben Greenman called it the “second-catchiest song ever written about a girlfriend’s parent” (after Simon and Garfunkel’s “Mrs. Robinson.”) The initial key of E Major shifts to G major at the bridge (2:25).
A performer of Portuguese lineage, Roberta Sá is one of the most recognized artists of her generation in Brazil. Her version of the classic tune “Pelas Tabelas” (2005) modulates twice (1:15 and 2:21).
After gaining fame as part of Destiny’s Child, vocalist Kelly Rowland released “Stole” in 2002. The lyrics detail the anguish of multiple young lives lost to violence. The tune was a smash hit in the UK and Australia, but didn’t perform nearly as well in the US.
The form alternates between an intro and verse built around a Cmajor/Asus2 vamp and a chorus with a repeating Gmin/Dmin/Cmin pattern (first appearing at 0:45).