Alex Newell & Lindsay Pearce | Do You Hear What I Hear

*This is the fourth installment of our weeklong series on “Do You Hear What I Hear”

The cast of the TV show Glee released their second Christmas soundtrack album, Glee: The Music, The Christmas Album Volume 2, in 2011, featuring ten covers and two original songs. Alex Newell and Lindsay Pearce are the featured vocalists on “Do You Hear What I Hear,” which modulates from C up to D at 1:58.

Jennifer Nettles | Do You Hear What I Hear

*This is the third installment of our weeklong series on “Do You Hear What I Hear”

Country singer Jennifer Nettles released her first Christmas album, To Celebrate Christmas, in 2016. Her arrangement of “Do You Hear What I Hear” is the sixth track on the record, and modulates from C to D at 2:31.

Pentatonix (ft. Whitney Houston) | Do You Hear What I Hear

*This is the second installment of our weeklong series on “Do You Hear What I Hear”

The a cappella group Pentatonix took Whitney Houston’s 1987 recording of the holiday standard and dubbed in her vocals to their arrangement, which was included on their 2019 holiday compilation album The Best of Pentatonix Christmas. Modulation from Ab up to A at 2:05.

Idina Menzel | Do You Hear What I Hear

*This post is the first in a week-long series featuring different arrangements of “Do You Hear What I Hear”

Written by Gloria Shayne and Noel Regney during the Cuban Missile crisis in 1962, the song was a plea for peace. Shayne and Regney were married when they wrote the song, with Regney contributing the lyrics and Shayne the music. In an interview Shayne said it was difficult for both of them to perform the song because of the emotions surrounding it. “Our little song broke us up,” she said. “You must realize there was a threat of war at the time.”

The song has since been covered by hundreds of artists and is frequently included on Christmas albums. Idina Menzel’s rendition is the first track on her 2014 album Holiday Wishes. It begins in C major, modulates briefly to Db at 1:53, and lands in E at 1:58. A common tone modulation back to C occurs at 2:30, and we stay there until the end.

Michael Buble | Winter Wonderland

Michael Buble’s 2011 album Christmas has sold more than 12 million copies worldwide, making it by far his most successful album, and one of the best-selling records of the 21st century. “Winter Wonderland” was one of four tracks added to the deluxe edition of the album released in 2012. It modulates from Db up to D at 1:54.

Cee Lo Green | What Christmas Means to Me

Written by Allen Story, Anna Gordy Gaye and George Gordy, and first recorded by Stevie Wonder in 1967, “What Christmas Means To Me” has been covered by dozens of artists over the years. Green included the song on his 2012 Christmas album Cee Lo Green’s Magic Moment, and it reached the #23 spot on the R&B charts in the United States. The tune modulates from Bb up to B at 1:41.

Berklee Indian Ensemble | For Whom the Bell Tolls (Metallica)

Berklee describes its Indian Ensemble: “What started out as a class at Berklee College of Music in 2011 has become one of the hippest global acts to emerge from Boston … Founded by Indian Berklee alumna and faculty member Annette Philip ’09, the ensemble provides an open and inclusive creative space for musicians from all over the world to explore, study, interpret, and create music influenced by the rich and varied mosaic that is Indian music today.” The Ensemble has garnered more than 200 million YouTube views, at one point comprising over 50% of Berklee’s total. “‘Indian music wasn’t being taught in Berklee as formally as other genres, so we founded this ensemble … The idea is to nurture the next generation of musicians from India and given them a pathway into the global music scene. We have people from 44 countries in this ensemble,'” Philip explained in an India Today interview.

From the 2019 video’s description: “In December 2018, the Berklee India Exchange team got an unusual request: to reimagine and interpret a Metallica classic of our choice. The Berklee Indian Ensemble has always been known to experiment, but this one took us by surprise. The brainchild of Mirek Vana, the Metallica Project at Berklee is a Boston Conservatory at Berklee and Berklee College of Music collaboration featuring a contemporary dance reimagination of Metallica’s songs, arranged, recorded, and performed in four different musical styles, the fourth being Indian music … ‘For Whom the Bell Tolls’ felt like a natural fit, and soon, a new version came to life.”

After starting in E minor, there’s a shift to a quieter instrumental interlude in C# minor (3:40 – 3:57) before the original key returns.

Little Mix | You Gotta Not

“You Gotta Not” is featured on the 2016 album Glory Days by the British girls group Little Mix. The album was their first to reach #1 in the UK; AllMusic claimed “the group deliver[s] a set of hooky, smartly crafted songs that balance swaggering, ’60s-style R&B with stylish, electronic-tinged dance-pop.” Co-written by Meghan Trainor, “You Gotta Not” highlights themes of female empowerment, and its groove recalls Jennifer Lopez’s “Ain’t Yo Mama,” also written by Trainor. The tune modulates from Db up to D at 1:12.

Bruno Mars | Versace on the Floor

Featured on the 2016 album 24K Magic, “Versace on the Floor” is an homage to the slow jams of the 1990s, and gives singer Bruno Mars a chance to show off his sentimental side.

In an interview with Rolling Stone, Mars claimed the song through several different iterations before arriving at the final version.  “At a certain point, I needed to stop telling you we’re gonna get down, and just get down,” Mars said of his inspiration for the hook.

The track charted moderately well, peaking at #33 on the Billboard Top 100 in the US. A music video, starring American actress and singer Zendaya, and a popular remix produced by French DJ David Guetta, were both released in 2017.

The tune begins in D major and modulates up to Eb for the final chorus at 3:19.

No More Wasted Time (from “If/Then”)

“No More Wasted Time” is from the 2014 musical If/Then, featuring a Tony-nominated score by Tom Kitt and Brian Yorkey. The music incorporates folk elements with a contemporary edge. Performed here by original cast members Idina Menzel, LaChanze, Jenn Colella, and Tamika Lawrence, the song begins in Db and builds into a dramatic modulation up to Eb coming out of the bridge at 2:44.