Chris Thile, Edgar Meyer, Stuart Duncan + Yo-Yo Ma | Attaboy

Classical musicians don’t always experiment with other genres, but famed cellist Yo-Yo Ma makes a regular habit out of it. Ma has collaborated regularly on jazz projects — but here, he and his band of noted Bluegrass/Americana players present a smooth, lyrical sample of a style often called Newgrass from 2011. Mod at 2:43, then back to the original key at 4:14.

Jonny May | Despacito

Guest post from MOTD member Alex Mosher:

A cover of Luis Fonsi’s “Despacito” (2017) with a modulation around 2:40. The original might have six billion views, but this cover adds something very new.

From Jonny May’s website: “Teaching piano is one of my greatest joys, and over the past 15 years, I’ve helped over ten thousand students take their piano playing to the next level.” He performed as a Main Street Disneyland pianist for over nine years and has over 30 million hits people with his Youtube videos.

Reign of Kindo | The Hero, The Saint, The Tyrant + The Terrorist

The Reign of Kindo, a NYC-based quintet which frequently adds lots of extra instrumentation, has been releasing music somewhere between funk, jazz fusion, and progressive rock for over a decade. Featuring a 5/4 time signature, this 2013 tune modulates four times: during an instrumental break (3:13 and 3:20) and again at 3:28 and 3:42.

They Just Keep Moving the Line (from “Smash”)

Today, we feature Megan Hilty singing “They Just Keep Moving the Line” from the TV show Smash (2012). While the show itself turned into a bit of a soap opera, some really incredible songs came out of it, and this is one of the best. Modulation at 2:06, but the whole performance is fantastic. Enjoy!

Mark Shilansky + Fugue Mill | Ordinary World

After becoming Exhibit A for chart-topping synth-pop blockbusters in the early 80s, Duran Duran scored an uncharacteristically understated hit in 1993 with the ballad “Ordinary World.”

Boston-based pianist/bandleader/educator Mark Shilansky and his band Fugue Mill have thoroughly re-harmonized and restructured the tune with their 2014 cover, stacking verse after verse.

Finally, the single extended chorus arrives (at 3:33) with cascading modulations nowhere to be heard in the original.

Vox One | Lullay, Thy Little Tiny Child (The Coventry Carol)

Weekend bonus: Massachusetts-based a capella quintet Vox One delivers a beautiful performance of “Lullay, Thy Little Tiny Child/The Coventry Carol” (2017). Moduation at approximately 1:40, but many other fleeting key-of-the-moment sections, as well as a reversion to the original key.