We conclude this year’s holiday season at MotD with Michael W. Smith’s “Christmas Day,” featuring American singer Jennifer Nettles and the Nashville Children’s Choir. The track was first recorded for Smith’s 2007 album It’s A Wonderful Christmas; this new arrangement appears on the 2014 record The Spirit of Christmas.
Beginning in F, there is a downward modulation to D at 0:42, and another to B at 1:17. We return to D at 1:30, and land in Gb at 1:44.
**This is the third installment in a three-part series featuring covers of “Have Yourself a Merry Little Christmas”**
American R&B/gospel singer John Stoddart featured five-time Grammy winner Lalah Hathaway (and daughter of Donny Hathaway) for this tune on his 2013 album Only On Christmas Day.
There are too many modulations to count in this cover, and throughout the album.
**This is the second installment in a three-part series featuring covers of “Have Yourself a Merry Little Christmas”**
American singer/songwriter Chris Mann featured country singer Martina McBride on his cover, the second track on his 2013 record Home for Christmas. Beginning in A, the tune modulates deceptively to D at 1:33 and then up a fourth to G at 2:31.
MotD favorite Voctave included “Silent Night” on their 2017 album Snow. The track begins in C and modulates up a third to E at 1:21.
Reminiscent of the classic “Baby, It’s Cold Outside” but leaning more towards a PG-13 rating, “The Naughty List” was written by country singer/songwriter Phil Vassar and released as a single with Vassar and former American Idol contestant Kellie Pickler.
It begins in A and modulates up half step to Bb at 1:57.
“Christmas Spirit” is featured on Richard Marx’s eponymous 2012 holiday album. Marx co-wrote the song with Fee Waybill, the former lead singer of The Tubes and frequent collaborator with Marx.
The track begins in G and modulates down to E for the first chorus at 0:49. It returns to G for the verse at 1:25 and again moves to E for the chorus at 1:54. A final modulation up a step to F# occurs at 2:56.
Bookwriter Winnie Holtzman and composer Stephen Schwartz’s blockbuster 2003 musical Wicked celebrated its 20 year anniversary on Broadway last night. The show, based on Gregory Maguire’s 1995 novel Wicked: The Life and Times of the Wicked Witch of the West, has played in sixteen countries and is one of only three Broadway shows to pass $1 billion in revenue.
“As Long As You’re Mine” is performed here by Jennifer Nettles and Annaleigh Ashford in a slower, reharmonized arrangement that is part of the “Out of Oz” series the show produced for YouTube. The song begins in Db and deceptively modulates down a half step to C at 1:38.
“I’m Totally Fine With It” is the lead track on Norwegian singer Billie Van’s 2017 album Pure Emotions. An emerging artist, Van released her first album, 1 2 3 4 Radio Star, in 2013. The tune begins in G and shifts up a whole step to A at 2:54.
Natalie Babbit’s children’s novel Tuck Everlasting was adapted into a Broadway musical by Chris Miller (music), Nathan Tysen (lyrics), Claudia Shear and Tim Federle (book). The show, directed and choreographed by Tony-winner Casey Nicholas, was a flop, running for only 39 performances in 2016.
“Top of the World” comes near the middle of Act 1 as Jesse and Winnie survey the landscape from a tree. It begins in D and modulates to E at 1:53.
“In The Morrow” is the penultimate track on Brandi Carlile’s 2012 album Bear Creek. Produced by Grammy winner Trina Shoemaker, the record was Carlile’s first to debut in the top 10 on the Billboard 200.
The track, written by Carlyle and Tim Hanseroth, begins in D and modulates up to E at 2:14.
modulationoftheday.home.blog 