Matt Boyd | Where Are You Christmas? (feat. Katherine McPhee & Pia Toscano)

The Nashville-based singer Matt Boyd covered “Where Are You Christmas?” for his holiday EP Feels Like Christmas, released earlier this year. The track features former American Idol contestants Katherine McPhee and Pia Toscano. The song starts in Bb, shifts to C at 2:33, and moves to D at 2:50.

Ross Miller | The Drunken Man from Kalabakan

“Ross hails from Linlithgow, West Lothian in central Scotland,” (artist website). “He is a member of the world famous Red Hot Chili Pipers. A world champion piper, Ross began piping aged 7 and was the Pipe Major of the National Youth Pipe Band of Scotland. He is currently a member of the Grade 1 Inveraray and District Pipe Band.

He graduated with a First Class Honours Degree in Traditional Music – Piping from the Royal Conservatoire of Scotland in 2017. Ross was a finalist in the 2019 BBC Radio Scotland Young Traditional Musician of the Year competition. Ross has performed in many countries such as: New Zealand, Australia, USA, Ghana, Russia, and all over central Europe, as well as appearing on BBC Hogmanay Live and performing solo on the roof of Murrayfield Stadium. In 2021, Ross performed along with a group of pipers on the soundtrack of the OSCAR & BAFTA award winning film Dune.

“The Drunken Man from Kalabakan” (2025), combining traditional and rock influences, starts in Bb minor. At 1:18, accompanied by a completely new groove, the track shifts to Eb major via a common-tone modulation.

Please click the image below to access the track.

The Slim Kings | We’ll Be Alright

“Hailing from the most acclaimed corners of the music industry, Brooklyn-based supergroup The Slim Kings — comprised of iconic drummer Liberty DeVitto (Billy Joel), renowned singer/guitarist MSB (40+ syncs), and top R&B session bassist Andy Attanasio (Black Thought) — come together with a vintage soul sound that takes you on a journey,” (Rough Trade).

“With fans like Jimmy lovine and Mark Ronson, and producers like Nick Movshon (Bruno Mars) and Steve Jordan (The Rolling Stones) – it’s music for people who just love music. With a recent boom on TikTok and a full length album, SUPERLOVE … The Slim Kings are proof that good vibes are contagious.”

2025’s “We’ll Be Alright” features a sepia-toned soul sound overlaid with a small side order of psychedelic wah pedal. The track starts in an E minor which briefly steps out of line here and there. At 2:25, a primarily instrumental bridge pivots us into F minor at 2:39.

Taylor Swift | The Life of a Showgirl (feat. Sabrina Carpenter)

Life of a Showgirl (2025) “is the 12th full-length studio album from, I guess, the biggest songwriter on the planet, Ms. Taylor Swift,” (The Needle Drop). “What can be said about Taylor Swift that has not been said a million, bajillion times already, or would even be widely agreed upon by everybody.

Continually, I find the strangest thing about Taylor to be that there is just so little agreement on her despite her immense fame and exposure. She’s almost like a Rorschach test for pop fans at this point … because not only are there just such vastly different reads of her and her music in terms of if it’s good, if it’s not, if it’s deep, if it’s shallow, so on and so forth, but often many of these takes say more about the person giving them than Taylor herself.”

Featuring her intermittent touring companion Sabrina Carpenter, “Life of a Showgirl” starts in G major. The second verse, a Sabrina Carpenter feature, shifts up to C major (1:19), but the next chorus reverts to the original key at 1:46.

Damiano David | Born With a Broken Heart

“Damiano David’s … second solo single (is) ‘Born With a Broken Heart’ (2024). A soaring, synth-pop tinged offering, the new track follows ‘Silverlines’ – Damiano’s first release independent of the Eurovision-winning band (Måneskin),” (DIY Mag). “‘When I wrote this song I was getting out of a very dark place, I was feeling emotionless and I was afraid that I had lost my ability to feel things, either good or bad,’ the Italian star has shared. ‘This was happening while I was starting the most meaningful relationship of my life and the fear of not being capable or ready was big. I think the song was a way to make myself make sense of what I was feeling and look at it from a less scary prospective. I’m happy to say that today I don’t feel like this, but I think a lot of people can relate with the feeling of not being good enough.”

The track hit top 100 status in several dozen countries, but climbed to the top 5 in Belgium, the Czech Republic, Finland, Japan, Poland, and Spain. Built primarily in B major, the tune shifts up a whole step to C# major at 2:39 after a post-bridge grand pause.