Tag: 2020s

George Harrison | My Sweet Lord

According to the video description on George Harrison’s Vevo channel, in honor of the 50th anniversary of George Harrison’s classic solo album All Things Must Pass, “a suite of new releases including a stunning new mix of the classic album by Grammy Award-winning mixer/engineer Paul Hicks, overseen by executive producer Dhani Harrison,” George’s son.

“…That’s the problem with being a really good songwriter in a band with two great ones,” (American Songwriter). “Since Harrison was only allotted one track per side of a typical Beatles album, his accumulation was substantial as the group disbanded around September of 1969. When he started recording what most consider his first solo project in 1970 … those tunes gushed out of him … The resulting collection is on anyone’s shortlist of finest Beatles solo releases, many placing it near the top.”

After starting in E major, “My Sweet Lord,” considered by many to be the centerpiece of the album, shifts to F# at 2:33. The video, released this month, stars dozens of noted actors, artists, and musicians, including Mark Hamill, Fred Armisen, Jeff Lynne, Ringo Starr, Joe Walsh, Jon Hamm, Shepard Fairey, Olivia and Dhani Harrison (George’s widow and son), and many others. Many thanks to our contributor Ziyad for this submission!

Lucky Daye | How Much Can a Heart Take (feat. Yebba)

Lucky Daye established a solid career as a songwriter before trying his hand as a performer, writing for the likes of Keith Sweat, Mary J. Blige, Boyz II Men, and others. “Neither explicitly retro nor overtly commercial, Lucky Daye is a singer/songwriter with a modern, slightly left-of-center approach to R&B with a foundation in classic soul,” (AllMusic).

From Exclaim.ca‘s review of Daye’s 2021 sophomore album, the duets-only Table for Two: “‘How Much Can a Heart Take,’ which features an assist from Arkansan songstress Yebba, is the EP’s crown jewel. It’s a bitter break-up track that plays like whiskey with a honey chaser. The verses are full of fiery attitude but thanks to Yebba’s spotlight-stealing vocals, the song unfolds into something lush and sweet near the chorus. Though the EP is light on ‘I love yous,’ it’s not nearly as depressing as it sounds. The instrumentals are deceptively warm and soulful throughout and Daye’s honeyed voice betrays the biting, sometimes tortured lyrics. It’s that juxtaposition that makes Table for Two so much fun.” 

After a start in C# minor, the wordy but relatively harmonically static verse opens up into a new vista with the chorus, which shifts into a G maj – C maj – A/B progression (G major-ish?) and then back to the original key. The pattern continues from there.

In addition to the live performance video below, don’t miss the original video as well, which features the two vocalists swapping roles while miming each other’s vocals.

Kristin Chenoweth | Have Yourself a Merry Little Christmas

Emmy and Tony-winning actress and singer Kristin Chenowith released her second holiday album, Happiness Is…Christmas, in October. “I hope that they smile, and I hope that they are eating food and opening presents…and I hope they just are happy,” Chenowith said in an interview with The Christophers blog, discussing what she hopes people take away from the album. “And then when they come upon a song like ‘The Stories That You Told,’ I hope they remember somebody that they’ve lost and their smile…There’s been so much to be bummed out about and you have to really look – seek and ye shall find – and you will find happiness. That’s what I want people to find in this album.”

“Have Yourself A Merry Little Christmas” is the penultimate track on the album, and modulates from G to Ab at 2:54.

Kelly Clarkson | Merry Christmas (To The One I Used To Know)

Kelly Clarkson released her second Christmas album, When Christmas Comes Around…, last October. “My purpose for choosing this lyric as the title of this project was to bring forth a sense of reality to the fact that we are probably in very different places emotionally When Christmas Comes Around…,” Clarkson said, explaining how she settled on the name. “Some of us are consumed with a new love, some of us reminded of loss, some filled with optimism for the coming new year, others elated for some much deserved time away from the chaos our work lives can sometimes bring us. Wherever you are, and whatever you may be experiencing, I wanted everyone to be able to connect to a message on this album. Each year you may even have a new favorite depending on where you are in your life, but while change can be unpredictable there is no better time of year, in my opinion, to breathe hope into one’s life and let possibility wander.”

This song, co-written by Clarkson and album producers Jason Halbert and Aben Eubanks, is the fourth track on the record; it modulates from F up to Gb at 1:20.

Pistol Annies | Make You Blue

Pistol Annies, an American country group made up of singers Miranda Lambert, Ashley Monroe and Angaleena Presley, released their first Christmas album, Hell of a Holiday, earlier this year. “Make You Blue,” a song about being lonely during the holidays, is the sixth track on the record. It modulates from E up a half step to F at 2:06.

Meghan Trainor | My Kind of Present

“My Kind of Present” is featured on Meghan Trainor’s 2020 album A Very Trainor Christmas. The album was a family effort, with various members serving as songwriters, backup singers, producers and instrumentalists; this track was written by Trainor and her two brothers Justin and Ryan. “The record is firmly within the realm of spirited seasonal soundtrack,” wrote AllMusic critic Stephen Thomas Erlewine. The track begins in Db major and modulates up a whole step at 2:09.

Thanks to our regular contributor Ziyad for this submission!

Michael Biggins | Ding Dong Merrily on High

This week we will be featuring guest submissions, kicking off with our newest masthead contributor JB, who provided the write-up below:

Even though it sounds like a modern commercial jingle, the melody of Ding Dong Merrily on High is at least 500 years old, and the current lyrics are nearly 100 years old. 

While there have been many recordings of this tune over the years — including the iconic Wiggles version from A Wiggly Wiggly Christmas — it’s a safe bet that none of them has had more modulations than Michael Biggins’ version. There are key changes at 1:04 and 1:27, a full mode change from 1:50-2:14, and multiple keys-of-the-moment and other harmonic tensions sprinkled throughout.

Biggins was named the 2021 Young Traditional Musician of the Year by BBC Radio Scotland, the first pianist ever to win this prestigious award.  One of the reasons that the award had, in the past, always recognized pipers, fiddlers, and other players of melody instruments is that the piano is generally relagated to the role of a rhythm instrument in Scottish trad, playing simple boom-chuck accompaniment to support the melody players.  This role delineation is still honored in the video, where Biggins plays all the virtuosic tracks on the accordion (generally a melody instrument in Scottish trad), while keeping the piano track well below his pay grade.

Rob Thomas (feat. Ingrid Michaelson) | Christmas Time

“Christmas Time” is featured on Rob Thomas’s first holiday album, Something About Christmas Time, released earlier this year. “Every year, I want to do a Christmas album, and every year, it’s too late because I always think about it at Christmas,” said Thomas in an interview with ABC Audio.

“When everything started to shut down in the beginning of 2020, I was home and I had that summer to make a record. I wasn’t on the road and it wasn’t making a solo record. I wasn’t making a Matchbox [Twenty] record. And so it was the only summer that I’d ever had where there was that kind of a time.

“I knew that I didn’t want to do a lot of the traditional Christmas covers,” he adds, noting that he preferred “songs that I grew up with and the artists that I grew up listening to.”

The track, which features vocalist Ingrid Michaelson singing with Thomas, was originally written and recorded by Canadian singer Bryan Adams in 1985. It quickly became his most successful and popular Christmas tune, and is still played on Canadian radio during the holidays.

Beginning in B major, the tune modulates up a whole step to Db at 2:38.