Another solo piano performance, this time from jazz pianist Emmet Cohen. Recognized as a prodigy, the 29-year old Cohen has been hailed by Downbeat magazine for his “nimble touch, measured stride and warm harmonic vocabulary.” He has performed with Ron Carter, Kurt Elling, and Christian McBride, among others, and composes as well. Key change at 1:54. Thanks to MotD contributor Paul Steckler for this find.
Tag: 2020s
Henry Lewers | Silent Night/Still, Still, Still
Breaking new ground today by featuring a performance by yours truly for the first time on the page. This mash-up of two beautiful carols, “Silent Night” and “Still, Still, Still,” was arranged by Sally DeFord (the sheet music is available here.) Starting in D Major, the music shifts to Bb with the entrance of the second tune at 1:25, and then to G at 3:05 with the return of “Silent Night.”
Jamie Cullum | Turn On The Lights
“Turn On The Lights” is from Jamie Cullum‘s latest album, The Pianoman at Christmas, released last month. Featuring 10 original songs and a band of 57 musicians, the album was recorded at Abbey Road Studios with social distancing precautions in place. “We had to set up in a way that you wouldn’t normally; between screens, two meters apart and socially distanced,” Cullum said in an interview. “But we had some of the most talented people in the world working on this record and for that reason, it still ended up sounding as wonderful and authentic as it did.
“Being in a room when all those musicians are playing at the same time, it is the pure sound of human warmth,” he added. “I think that’s why the sound feels so good at Christmas, because it’s a mass of that beautiful human sound – I absolutely love it.” Key change at 2:57.
Dolly Parton (with Willie Nelson) | Pretty Paper
Written by Willie Nelson in 1963, “Pretty Paper” was first recorded by Roy Orbison that same year, and placed on the Billboard Adult Contemporary, Top 100, and Christmas Singles charts. Dolly Parton collaborated with Nelson this year on a cover of the tune that is featured on her new Christmas album, A Holly Dolly Christmas, released this year. Key change at 2:32.
Voctave | Someday
The a cappella group (and MotD favorite) Voctave released a new album, The Corner of Broadway & Main St Vol. 2 earlier this month, featuring an assortment of Disney and Broadway hits. “Somewhere,” from Alan Menken’s The Hunchback of Notre Dame, closes the album. Beginning in C major, the arrangement modulates to E at 2:11 before retreating back briefly to D at the 3:00 mark. A final shift to F occurs at 3:33.
The Platt Brothers | Ahavat Olam
Broadway Buzz reports that “Ben Platt won a 2017 Tony Award for his breakout performance in Dear Evan Hansen. He got his start in a national tour of Caroline, or Change at age 11 before snagging the breakout role of Benji in Pitch Perfect and its sequel. After starring in the national tour of The Book of Mormon, Platt made his Broadway debut as Elder Cunningham in 2014. His solo album, Sing To Me Instead, was released in March of 2019. He currently stars on the Netflix’s The Politician.”
Turns out that Ben is not the only musically inclined member of his family. Here, he performs the Ahavat Olam with his brothers Jonah and Henry; this setting is by Gabe Mann and Piper Rutman. The Ahavat Olam is the second prayer of Maariv, a prayer service held in the evening or during night time in the Jewish tradition.
Starting in an uncomplicated, peaceful Bb major, a spirited bridge brings a huge change at 2:07: the text shifts from Hebrew to English and Bb minor chords ring out before the section ends in what turns out to be a false modulation to Eb major. But Bb major returns, as does the original Hebrew, at 2:42. Many thanks to our Facebook follower Elizabeth Moore for this submission!
Diana Krall | But Beautiful
Canadian jazz vocalist Diana Krall makes her MotD debut today with the jazz standard “But Beautiful,” the first track on her fifteenth studio album, This Dream of You, which was released last Friday. Krall, a three-time Grammy winner and one of the best-selling recording artists of all time, is the only jazz singer to have eight albums debut at the top of the Billboard Jazz chart. Her unique, smoky vocal style and understated arrangements have led to 15 million albums sold worldwide. There’s a key change at 2:17, with a return to the original key at 3:22.
Dirty Loops | Old Armando Had a Farm
Swedish funk/pop phenoms Dirty Loops have been doing their best to stay sane and keep their skills sharp during the gig-less period known as COVID-19 with their Songs for Lovers series. With “Old Armando Had a Farm,” Henrik Linder (bass) and Aron Mellergard (drums) cook up a country/funk/bluegrass concoction without their frontman, vocalist and keyboardist Jonah Nilsson.
In the spirit of the band’s typical humor, the supporting cast (from steel guitar to hand claps to hair colorist!) are all mentioned in the end credits. The tune modulates multiple times, starting at 0:43.
Black Artists for Black Lives | Feeding Off the Love of the Land
As described by the performers, Black Artists for Black Lives, “This arrangement of Stevie Wonder’s ‘Feeding Off the Love of the Land’ was born out of grief, and evolved into a communal message of healing. In the midst of our grief, we sing with renewed strength and love. We sing for them… We sing for US.”
Stevie’s original appeared under the credits of Spike Lee’s 1991 film Jungle Fever, but didn’t appear on any of Stevie’s studio albums.
Starting with a gorgeous a cappella arrangement in B major, an instrumental accompaniment sneaks in at 0:30 and swells at the early modulation to D major at 0:48. The energy continues to build until the ensemble hits its fullest stride at 2:04.
Stevie’s original, which doesn’t include a modulation:
Rufus Wainwright | Trouble in Paradise
A July 2020 piece in FLOOD magazine suggests that singer/songwriter Rufus Wainwright is “the reigning king of elegant, earthen and sophisticated art pop. He still has a knack for crooning smartly piquant, yet deeply emotional lyrics with cosmopolitan melodies that come across more Tin Pan Alley, London Palladium and Topanga Canyon than something out of today’s more nebulous and steely AutoTune universe”
His 2019 song “Trouble in Paradise” is the lead single for his most recent album, Unfollow the Rules. In an American Songwriter interview, Wainwright said “After the opera world and natural aging, I can now sing at the full power of my abilities, and this record really shows that off.” He also shared a this synopsis of the song for his website: “Drum beats herald a romp through the inner mind of a bob-haired fashion doyenne on her drive from the town to the country. She reflects on the true price of glamour, and weighs its spiritual costs while eyeing her future legacy, and eternity.”
Typical of Wainwright, the arrangements are layered and ornate — but never overpower what FLOOD calls his “slippery, oboe-like vocals.” Starting in Bb major, the tune modulates up a half-step at 2:13. At 2:49, the song ends in an ambiguous swirl of layered notes, somehow suggesting falling and ascending simultaneously.
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