Tag: 2020s

The Lemon Twigs | They Don’t Know How to Fall In Place

“Child actors turned gifted multi-instrumentalists, Long Island brothers Brian and Michael D’Addario formed The Lemon Twigs in their mid-teens,” (LouderSound). “Flamboyantly dressed purveyors of Baroque pop, power-pop and glam, they swap duties across guitars, drums, lead vocals, and more … Todd Rundgren, Justin Hawkins (The Darkness) and My Chemical Romance’s Gerard Way are among their fans.” 

“Musical pastiche can be dangerous,” (The Guardian). “When you go beyond having influences to embodying those influences, artists can easily slip into self-parody. You need spectacularly good songs to pull it off … The songwriting never dips below classic … in an age of copyright lawsuits, there are still so many new and perfect songs waiting to be written. In love with the past but making the present so bright, the Lemon Twigs are, in the end, timeless.”

“They Don’t Know How to Fall In Place,” from the duo’s fifth album A Dream is All We Know (2024), settles into F major for its first verse. At 0:35, we’re led through a rapid cascade which finally gravitates to the terra firma of B major. 1:03 brings an emphatic C7 chord, dropping us back into the next verse in F major. The bridge brings some more harmonic shifts before returning us to the main form.

Melissa Manchester + Kenny Loggins | Whenever I Call You Friend

“’Whenever I Call You Friend’ is a song written by Kenny Loggins and Melissa Manchester, which Loggins recorded as a duet with Stevie Nicks for his 1978 album Nightwatch,” (MelissaManchester.com). “‘Kenny and I kept meeting each other at award shows, and he asked if I wanted to write with him, and we met up and we knocked it out. It was great. As a writer, he knows what he wants. I’d rather be in a room with someone like that than not.’

When first released, (co-lead vocalist and Fleetwood Mac frontwoman) Stevie Nicks was not credited on the original 45 single, so this was officially considered Loggins’ first solo Top 40 hit.” The tune reached #5 on the Billboard Hot 100.

A brief a cappella intro, completely different from that of the original 1978 version, unexpectedly jumps up two whole steps at 0:16 before the start of the first verse. The tune’s winding path through many modulations is still in place; the key eventually shifts a full perfect fourth overall from the 0:16 mark to the end. A new key change up a half step also makes a prominent appearance at the 3:20 mark. Manchester seems to have the time of her life performing with her co-writer!

Many thanks to Todd B. for bringing this gorgeous cover to our attention — his first contribution to MotD!

Will Gittens & Bren’nae | I Wanna Dance With Somebody

Whitney Houston’s classic, originally recorded in 1987, is covered here by singer/songwriters Will Gittens and Bren’nae. Gittens, who boasts 60 million views on YouTube, grew up in Nashville and graduated from Berklee College of Music. Drawing his inspiration from Stevie Wonder, Prince, Michael Jackson and others, Gittens has released two albums of acoustic covers. Bren’nae Debarge was a contestant in season 8 of the NBC reality series The Voice.

The track begins in Eb and modulates up a step to F at 2:47.

Rajaton | Laulamahan

Rajaton “is a six member a cappella group founded in Helsinki, Finland, that comprises two sopranos, two baritones, and an alto and tenor each,” (DCTheaterArts). “Rajaton is a pop sensation in its native Finland, where it is renowned for its genre-crossing repertoire of classical to Europop and where it has a double platinum, three platinum, and a collection of gold records, amongst over awards under its belt. The group … continues to spread the joy of their music through touring in over twenty-five countries. … The name Rajaton is the Finnish word for ‘boundless’ and (is a) metaphor for the wide breadth of their repertoire.”

From AllMusic’s profile of the group: “The group released its first album, Nova, in 2000, and over the course of the next decade managed another eight releases, including albums and DVD offerings. Their October 2007 album, Maa, was another strong seller for the band, as it cracked the Top Ten on the Finland album charts.”

The joyful track “Laulamahan,” released in 2022, shifts in texture throughout while the overall tempo remains unchanged. There are several modulations, the first of which is a shift two whole steps downward at 0:43. 

Gospel Church | Anthem of Praise

” … composer, pianist, and arranger Richard Smallwood has clearly and solidly changed the face of gospel music,” (Kennedy Center). “He can impeccably blend classical movements with traditional gospel, and arrive at a mix that is invariably Smallwood’s alone. A diverse and innovative artist, Richard Smallwood has achieved many honors; Dove Awards and a Grammy also attest to his talents … Smallwood has been honored by the Smithsonian Institution as a ‘gospel innovator and songwriter,’ and his hometown, Washington, D.C. heralded two separate occasions as ‘Richard Smallwood Day,’ also, distinguishing him with the Mayoral Art Award for ‘precision and excellence in artistic discipline.'”

… His debut album, The Richard Smallwood Singers, spent 87 weeks on Billboard’s Gospel chart. “The next project, Psalms, received a Grammy nomination. Two years later, another nomination for Textures, the album that contained the classic ‘The Center of My Joy,’ penned by Richard Smallwood along with Bill and Gloria Gaither.” His career has only grown from there.

Gospel Church, a prominent French gospel ensemble, produced this video performance of Smallwood’s “Anthem of Praise” in late 2023. After a cinematic instrumental intro establishes the piece in Bb minor, the choir enters at 1:03. At 3:33, the arrangement transitions to Bb major; from there, there are half-step upward modulations with each successive vocal soloist, eventually landing in Db major. The final few seconds bring an emphasis on the original Bb, now clearly the implied relative minor even in the absence of any chord color.

Ariana Grande | Have Yourself a Merry Little Christmas

**This is the first installment in a three-part series featuring covers of “Have Yourself a Merry Little Christmas”**

American singer Ariana Grande’s cover of the Hugh Martin and Ralph Blane’s “Have Yourself a Merry Little Christmas” begins in Ab and modulates up a half step to A at 1:46

Katherine McPhee | Blue Christmas

American singer Katherine McPhee and her husband, producer and MotD royalty David Foster, released a holiday EP titled Christmas Songs in 2022. “Blue Christmas,” composed by Billy Hayes and Jay Johnson and originally made famous by Elvis, is the second track.

The tune begins in Eb and glides up to E at 1:48.

Adam Hawley (feat. Julian Vaughn) | God Rest Ye Merry Gentlemen

Guitarist Adam Hawley released his first holiday album, What Christmas Means To Me, this past October. On this track, the second on the record, he features Kansas City-based bassist Julian Vaughn.

The track begins in E minor and shifts abruptly up to F minor at 2:25.