The Temptations had plenty of hits, but 1965’s “My Girl” went straight to #1 and probably remains the group’s best known release. Co-written by Smokey Robinson, the tune featured a trademark early Motown sound. The modulation is at 1:43.
Tag: pop
Cincinnati Pops | Boogie Woogie Bugle Boy
Something a little different today — featuring the Cincinnati Pops playing Bugle Boy, originally released in 1944 by The Andrews Sisters (modulation around 2:55). The tune ranks #6 on RIAA’s list of Songs of the 20th Century.
James Taylor | Your Smiling Face
Here’s James Taylor’s “Your Smiling Face” (1977) featuring a double modulation (0:48 and 1:25). The track reached #12 on the US pop chart and #6 on the Adult Contemporary chart. Rock critic Timothy White described the tune as a “pop sonnet.”
Paul Simon | Still Crazy After All These Years
One of Paul Simon‘s many solo hits, 1975’s “Still Crazy After All These Years” pushed the album of the same name to #1. The form is quite unpredictable: the first modulation happens at 1:25 (at the start of a bridge, including an odd-metered measure thrown into the mix). Then another pivot at 1:38 into a darkly intriguing instrumental interlude, followed by a key change into a sunnier instrumental section at 2:12, finally settling into another verse and another harmonic shift at 2:50.
Connect-the-dots songwriting, this ain’t!
Dirty Loops | Wake Me Up
Swedish pop virtuosi Dirty Loops covered Avicii‘s smash hit “Wake Me Up” in 2014, completely re-making the song in the process. They modulate while translating verse two into a bridge (starting at 1:39) and throw in another key change at the start of the outtro (2:56).
The Mamas + The Papas | Dream a Little Dream
This 1968 hit from The Mamas and Papas is probably the most well-known of the many versions of “Dream a Little Dream,” which was originally recorded in 1931 by Ozzie Nelson. Modulation at 0:58, then reverting back to the original key at 1:18 (etc.!)
Britney Spears | Lucky
Today we turn to Britney Spears with the classic “Lucky” (2000). The track earned commercial success worldwide, peaking at #1 in Austria, Germany, Sweden and Switzerland and top 5 in the UK. Textbook modulation around 3:00.
The Toys | A Lover’s Concerto
A contribution from MoTD member Paul Steckler:
“Multi-modulation madness! The Toys sing ‘A Lover’s Concerto’ (1965), based on a melody usually attributed to J.S. Bach, with modulations at 0:50, 1:21, 2:09, and 2:25. Who can keep up?”
Boz Scaggs | Heart of Mine
Boz Scaggs, probably best known for his huge 1970s hits, often features modulations in his tunes. 1988’s “Heart of Mine” first changes key just before the first chorus (0:50), then returns to the original key as it returns to verse 2 (1:30). Then a few more shifts …
Connie Francis | Where the Boys Are
Here’s Connie Francis singing “Where The Boys Are” (1961), with a key change at 1:23. Written by Neil Sedaka and Howard Greenfield, the tune was the title track of a movie of the same name in which Francis had a starring role and reached top 5 in both the US and the UK.
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