PopMatters reports “In 1987, Rick Astley positioned himself as Michael McDonald’s Mini-Me. But there was another contender who’d got there before him. If ever someone had both a voice and songwriting style reminiscent of McDonald, it was Robbie Dupree, the singer/songwriter who emerged in 1980. Perhaps that’s unfair; he was also his own man, writing or co-writing the bulk of these two soft-rock-with-a-smooth-jazz-twist albums, originally on Elektra. They’re shiny, expensive-sounding affairs, typical of the final throes of the first singer/songwriter movement. Robbie Dupree was already in his mid-30s when his self-titled debut came out. He did remarkably well to land at #6 on the Billboard Hot 100 with 1980’s frothy ‘Steal Away.'”
After starting in A major, there’s a key change to D major as the bridge hits at 1:44.
Tag: pop
Melissa Manchester | Don’t Cry Out Loud
This post originally appeared on MotD on April 8, 2019. We’re bringing it back in expanded form today in honor of Christopher Larkosh, who contributed the tune to us. Chris passed away from a sudden illness at the age of only 56 on December 24th, 2020. He was a MotD fan who contributed multiple tunes to our collection; others are still in the queue, waiting their turn.
May the memory of Chris’ enduring humanitarian spirit, deep understanding of music’s ability to motivate and heal, and pervasive musicality be a comfort to all who knew him.
Elise
MotD fan Christopher Larkosh contributes today’s tune: “Musical geniuses Peter Allen and Carole Bayer Sager put ‘Don’t Cry Out Loud’ in good hands with Melissa Manchester. This is probably why it’s one of my all-time karaoke and piano bar favorites to this day.” A 1978 top ten hit in the US and Canada for Manchester, the tune was later covered by Rita Coolidge and Liza Minelli, among others. The modulation kicks in at 2:35.
In an interview with Scott Holleran, Manchester, a songwriter in her own right, said of the tune: “I remember being friends with Peter Allen and Carole Bayer Sager and hearing (it) as a very quiet song, bringing it to him and saying yes, it’s gorgeous, let’s do it the way Peter did it — as beautiful and quiet. [Then] I showed up in the studio and the cannons blew on this huge version — which turned out beautifully, it turned out as a gift.”
In a 2004 Billboard interview, Manchester expressed uneasiness about the song’s take on grief: “I finally understand what it meant … I [originally] thought it was a brilliant song, but it seemed like the antithesis of everything Carole [Bayer Sager] and I were writing, which was always about self-affirmation and crying out and sharpening your communication skills. But it’s a beautifully crafted song that was all about how in the end you just have to learn to cope — and that’s no easy thing.”
Those of us who knew Chris will remember that he was never one to hide his feelings, either — and we’re all the richer for it.
Christina Aguilera | I Turn To You
Written by songwriter and vocalist Diane Warren, “I Turn To You” didn’t become popular until Christina Aguilera included it on her debut album in 1999. She described the song as being “about that sort of perfect love, which we all dream. This kind of song can make you feel safe and warm anytime of the year.” The track peaked at the #3 on the Billboard Top 100 chart, and has been a popular choice for contestants on reality competition series such as American Idol and The Voice. Key change at 3:17.
Meghan Trainor (ft. Earth, Wind & Fire) | Holidays
“Holidays” is included on A Very Trainor Christmas, pop singer Meghan Trainor‘s first holiday album, released earlier this year. All of Trainor’s family members played a part in creating the album, as songwriters, producers, background vocalists and instrumentalists.
“I’m a Christmas baby, it’s always been a dream of mine to release a Christmas Album and to do it with my family makes it that much better,” said Trainor. “Songs featuring my family are like permanent memories that I get to replay all the time. Earth, Wind & Fire and Seth MacFarlane (also featured on the album) are two of my family’s all-time-favorites – we worship the ground they walk on – so to get them to feature on this album still doesn’t feel real. Best Christmas Present Ever!”
The key change is snuck in right at the end at 2:30.
Owl City | Peppermint Winter
Adam Brown, the creator of the electronic music project Owl City, described this song as being about his “…own participation in snowball fights and sidewalk shoveling. Sleigh rides, present-giving and receiving and of course, the ingestion of marvelous Yuletide nutrition (or lack thereof), namely sugar cookies, hot chocolate and peppermint candy canes…”
Released in 2010 as a stand-alone single, the track has a lilting waltz-like feel, and modulates from C major to D at 2:39.
Jamie Cullum | Turn On The Lights
“Turn On The Lights” is from Jamie Cullum‘s latest album, The Pianoman at Christmas, released last month. Featuring 10 original songs and a band of 57 musicians, the album was recorded at Abbey Road Studios with social distancing precautions in place. “We had to set up in a way that you wouldn’t normally; between screens, two meters apart and socially distanced,” Cullum said in an interview. “But we had some of the most talented people in the world working on this record and for that reason, it still ended up sounding as wonderful and authentic as it did.
“Being in a room when all those musicians are playing at the same time, it is the pure sound of human warmth,” he added. “I think that’s why the sound feels so good at Christmas, because it’s a mass of that beautiful human sound – I absolutely love it.” Key change at 2:57.
The Carpenters | (There’s No Place Like) Home for the Holidays
Other than Perry Como’s 1984 rendition, the most well-known recording of this tune was featured on The Carpenters second holiday album, An Old Fashioned Christmas, released in 1984. Karen Carpenter, who sang lead vocals on every track, died the year before the album was released. Key change at 1:59.
Mariah Carey | The Star
“The Star” was the first single released from the eponymous 2017 holiday film, inspired by the Nativity story. Performed by Mariah Carey, the song was nominated for Best Original Song at the Golden Globe Awards. In her review at Pop Sugar, critic Victoria Messina claimed “this brand-new jam just might give “All I Want For Christmas Is You” a run for its money.” Beginning in B major, the track modulates to Db at at 2:51 and then to Eb at 3:11.
Rickie Lee Jones | It Must Be Love
“For her waywardness alone, Rickie Lee Jones deserves a lot of credit,” begins the New York Times‘ review of her 1984 release, The Magazine. “The pop record business is still coming to terms with self-directed female performers, and it prefers its songwriters – male or female – to be prolific, craftsmanlike and fond of the basic four-minute pop song. Ambition translates as the desire to sell more records, and eccentricity is fine as long as it’s confined to a performer’s fashion sense. That can put a strain on a musician like Miss Jones, who is determined to add some poetry to the standard-form pop song, then melt the whole thing down.”
Her #4 hit single “Chuck E’s In Love” (1979) was featured on her eponymous million-selling debut album. It seemed she could pivot in almost any direction after that release found her “evoking jazz singers, girl groups, and the strong influence of Joni Mitchell and Laura Nyro. Miss Jones clearly knew American music from Bessie Smith to Leonard Bernstein to Bruce Springsteen, and she could sing just about anything … masking control with girlish playfulness.”
That playfulness was still in full evidence on her 1984 single “It Must Be Love.” In G major overall, at the beginning of the verses the I chord is actually Gsus2; it’s only the vocal line that defines the major third. While there is no modulation per se, the tune jumps the tracks abruptly at 1:28, when a Bmin7 –> E major pair is stated and then repeated before returning to G major at 1:37. At 1:48, a sustained instrumental interlude features suspended chords as the groove moves to the back burner. This kind of subtlety cemented Jones’ status as singular songwriter and performer.
Idina Menzel | Brave
While she is best-known for her starring roles in the Broadway productions of Rent, Wicked, and If/Then, as well as for voicing Elsa in the Disney animated feature Frozen, Idina Menzel has released six studio albums as well. “Brave” was the second single released from I Stand (2008), and reached the #19 spot on the Adult Contemporary Billboard Chart. Key change at 3:21.
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