Donna Summer’s 1977 dance epic ”MacArthur Park” likely represented Peak Disco. Summer’s unmistakeable vocal style is accompanied by full orchestra, harp, and plenty of synths (all part of producer Giorgio Moroder’s signature sound). There are several key changes, the first appearing at 0:26 as a Baroque-inspired string intro transitions into pop ballad, preceding a shift to straight-ahead disco. If you need more, there’s also a 17-minute “suite” version. 😉
Tag: pop
Childish Gambino | Pink Toes
Childish Gambino – Donald Glover (two names for the same artist, depending on whether he’s engaging in music or acting) released “Pink Toes” (featuring Jhené Aiko) in 2013 as a track on his sophomore album Because the Internet. The album later received a Grammy nomination for Best Rap Album.
A blend of psychedelic Neo-Soul, rap, and R&B, the track modulates at 1:51.
The Association | Time for Livin’
Today we feature The Association’s 1968 release “Time for Livin’,” suggested by one of our mod scouts, JB. Known as a “sunshine pop” band from Southern California, the band is better known for its iconic hits such as ”Cherish” and ”Never My Love.” This track, which reached only #39 on the US pop charts, modulates all over the place — starting at the 0:52 mark and continuing all the way to the end.
Luther Vandross + Darlene Love | I Listen to the Bells
“I Listen To The Bells” (1995) performed by Luther Vandross & Darlene Love, with a key change at 4:06. See you next week for our final two days of Christmas tunes before we return to regular programming.
Stevie Wonder | Happy Birthday
A break from the holiday music: In honor of the birthday of MotD founder Henry Lewers today, here’s a Stevie Wonder tune from 1981. Written for civil rights champion Nelson Mandela, “Happy Birthday” modulates at 3:30. Happy birthday, Henrique!
NSYNC | Home for Christmas
Happy Friday! Closing out the first full Xmas week with NSYNC’s “Home For Christmas” (1998). Key change at 2:55. Have a great weekend!
Simon + Garfunkel | America
Released in 1968, Simon and Garfunkel’s “America” doesn’t modulate outright, but features a sense of restless change (befitting its road trip theme) as well as several key-of-the moment sections. AllMusic‘s review deemed it a song whose “sophisticated harmonic invention is toppled by its message,” while Classic Rock History described it as “wistful and optimistic, personal and universal, and most of all, uniquely American.”
Carrie Underwood | Whenever You Remember
Here’s Carrie Underwood’s track “Whenever You Remember,” released in 2005. Key change at 2:46.
Fountains of Wayne | Stacy’s Mom
“Stacy’s Mom,” a 2003 power pop classic by Fountains Of Wayne, written by Adam Schlesinger, was nominated for a Grammy for Best Pop Vocal Performance. The New Yorker magazine’s Ben Greenman called it the “second-catchiest song ever written about a girlfriend’s parent” (after Simon and Garfunkel’s “Mrs. Robinson.”) The initial key of E Major shifts to G major at the bridge (2:25).
The Guess Who | These Eyes
From MotD regular Rob P.: Canadian band The Guess Who released their breakthrough US hit, “These Eyes,” in 1969. It peaked at #6 on the US Billboard chart.
After a few verses, a string of direct modulations builds during the chorus (starting at 1:42); the tune reverts to the original key for the next verse at 2:40. 3:00 marks the start of chorus/outro, stacking yet more modulations until the fadeout, augmented by boffo amounts of strings and brass.