Janis Ian | At Seventeen

1975’s “At Seventeen,” the most successful single from singer/songwriter Janis Ian, went to #1 in the US and Canada. A biting commentary on Western beauty standards and their effects on young women, the tune was also used in multiple movies and television shows. The tonality switches from C major on the verses and C minor on the choruses (the first transition is at 0:47).

Leslie Gore | You Don’t Own Me

Released in 1963, Leslie Gore‘s “You Don’t Own Me” was a #2 hit in the US (also top 5 in Australia, New Zealand, and the UK). The tune has had a sustained half-life as a feminist anthem.

Produced by studio legend Quincy Jones, the tune packs multiple modulations into its two and a half minutes. The verse is in G minor, but transitions to G major for the chorus (0:31); the same pattern holds true for verse 2 and chorus 2; multiple direct half-step modulations follow at 1:03, 1:19, and 1:34.

Queen | The Show Must Go On

Released only six weeks before Freddy Mercury‘s passing at the end of a brief battle with HIV/AIDS, “The Show Must Go On” (1991) reminded Queen fans worldwide of this global supergroup’s originality and vision. Mercury’s vocal timbre was changed by the disease, but he still pulled off a beautiful performance. Modulations at 1:32, 2:13 and 2:55.

Cheap Trick | Surrender

Rolling Stone magazine called it “the ultimate 70s teen anthem” and ranked it #471 of its “500 Best Songs of All Time.” One of the most well-known bands on the 1970s global rock circuit, Cheap Trick released “Surrender” in 1978 and then re-released it on their live album Live at Budokan. The intro’s key is raised a half-step at the start of the first verse (0:14), then another half-step upward modulation at 2:16.

Mylene Farmer | Les Mots

From MOTD member Paul Steckler:

“This is French pop megastar Mylène Farmer singing “Les Mots” (2001), which she originally recorded with Seal. This is a live version with Abe Laboriel, Jr. (Paul McCartney’s longtime drummer).” Starting in Db minor, the tune alternates between Db major and Db minor (1:02, 1:37, 2:39, 3:13, 3:33), then modulates to Eb major at 4:08.