A break from the holiday music: In honor of the birthday of MotD founder Henry Lewers today, here’s a Stevie Wonder tune from 1981. Written for civil rights champion Nelson Mandela, “Happy Birthday” modulates at 3:30. Happy birthday, Henrique!
Tag: r&b
Otis Redding | Merry Christmas, Baby
Happy Monday! Starting off the week with Otis Redding’s “Merry Christmas Baby” (1968). Key change at 1:35. Thanks to MotD fan Paul Steckler for this contribution!
James Taylor + Ray Charles | Sweet Potato Pie
Today we feature James Taylor’s “Sweet Potato Pie,” performed here with Ray Charles (2004). Key changes at 1:59 and 2:14.
Kelly Rowland | Stole
After gaining fame as part of Destiny’s Child, vocalist Kelly Rowland released “Stole” in 2002. The lyrics detail the anguish of multiple young lives lost to violence. The tune was a smash hit in the UK and Australia, but didn’t perform nearly as well in the US.
The form alternates between an intro and verse built around a Cmajor/Asus2 vamp and a chorus with a repeating Gmin/Dmin/Cmin pattern (first appearing at 0:45).
Eddie Holman | Hey There Lonely Girl
The Legendary Eddie Holman‘s “Hey There Lonely Girl,” released in 1969, peaked at #2 in the US, #1 in Canada, and #4 in the UK when it was released there a few years later. The tune was later covered by many artists, including Donny Osmond and New Edition. Modulation at 2:14.
Prince | Diamonds and Pearls
Prince released “Diamonds and Pearls” with his band The New Power Generation in 1991. The tune starts in G major, modulates downward to Eb major for the bridge (2:36), and then reverts to the original key. Powerhouse vocalist Rosie Gaines is featured in more of a co-lead role than that of a background singer.
Aretha Franklin | United Together
Aretha Franklin was a legendary soul/gospel/R&B/pop vocalist — but also a civil rights icon and humanitarian.
Though it wasn’t one of the mega-hits among her huge catalog, this track clearly shows Aretha’s warm, dignified persona and the uncontainable range of her artistry. “United Together” (1980) modulates at 3:50.
Stevie Wonder | Where Where You When I Needed You
Another gem from Stevie Wonder‘s deep catalog of classics: “Where Were You When I Needed You.” Released as a B-side in 1972, it was one half of a two-part medley (along with “Superwoman”). The sound was truly ahead of its time, featuring multi-layered synths and state-of-the-art production. Key change at 2:06.
George Benson | 20/20
Shape-shifting guitarist/vocalist George Benson, a Pittsburgh native, had a string of hits in the 1970s and 1980s, pulling from his 36 albums to date. “20/20” (1984) made a splash on three charts: #45/Pop, #20/R&B, and #3/Jazz.
The tune features a bridge with plenty of compound chords (1:50 – 2:25) which remains in the original key. The third verse (2:25) hits with a direct modulation, followed by Benson’s effortless duet combination of guitar and wordless vocals.
Whitney Houston | All the Man That I Need
Whitney Houston‘s 1990 release “All The Man That I Need” was just another garden-variety hit for the songstress, then at the peak of her powers: #1 on the US pop, adult contemporary, AND R&B/hiphop charts, plus many more high chart positions worldwide. Modulation at 2:41.