Tag: r&b

The Crusaders feat. Randy Crawford | Street Life

Stacked with compound chords from its very first measure, “Street Life” (vocalist Randy Crawford, along with The Crusaders, featuring Joe Sample) was one of the most harmonically rich hits of the Disco area (1979). Modulating up a half-step at 1:33, the compound chords hit again around the 2:00 mark, dropping us back into the original key — and then up again at 3:32. The track made a strong appearance on the US pop, soul, and disco charts and hit #5 on the UK pop charts.

The Spinners | Games People Play

The Spinners‘ 1975 R&B release “Games People Play” begins with deceptive simplicity. But then a long line of compound chords starts at 0:41, joined by a descending chromatic bassline at 0:54. We return to the original key as we reach verse 2 at 1:05 … Etc.! There’s no single prominent modulation, but rather a feeling of pivoting easily and frequently between keys.

Deborah Cox | Nobody’s Supposed To Be Here

R&B chanteuse Deborah Cox released “Nobody’s Supposed to Be Here,” the track for which she’s perhaps best known, in 1998.

“‘The song crossed my path in early ’98. I had taken a little time off — I got married in Jamaica — and was really searching for a direction for the second album,” (Billboard). “When Anthony ‘Shep’ Crawford and Montell Jordan (the co-writers) played it for me, I immediately knew the song was a smash. I just remember hearing it and going, ‘Oh my God, this speaks to me!’ I had just gone through the same thing: I was caught off guard with the love of my life, so it really resonated.”

This gospel-infused ballad builds to a big modulation at 3:00.

The Stylistics | Stop, Look, Listen

Another harmonically lush track by the Philly Soul gurus The Stylistics. “Stop, Look, Listen” (1971) packs so much into a hit song of less than three minutes’ length — including a few time signature shifts, plenty of orchestral instrumentation, and an uncharacteristically simple direct modulation at 2:21.