Tag: rock

The Who | My Generation

#11 on Rolling Stone magazine’s “500 Greatest Songs of All Time” list is “My Generation” by The Who. A short section of AllMusic‘s review of the 1965 release: “An explosive debut, and the hardest mod pop recorded by anyone. Pete Townshend‘s exhilarating chord crunches and guitar distortions threaten to leap off the grooves…” This classic features modulations at 1:19, 1:49 and 2:26.

David Bowie | Young Americans

David Bowie‘s 1975 album, Young Americans, featured a title track which played up Bowie’s love for soul and R&B — a departure from his previous glam-rock style. R&B/soul vocalist Luther Vandross contributed backup vocals to the track. Self-deprecating as usual, Bowie described the album as “plastic soul…the squashed remains of ethnic music as it survives in the age of Muzak rock, written and sung by a white limey.” Modulation at 2:39.

J. Geils Band | I Do

Released in 1982, J. Geils Band‘s live version of “I Do” took the sound of 1950s a cappella do-wop, added standard rock instrumentation plus horns and harmonica, and turned it into a #24 pop hit. The track was one of the final releases for the Massachusetts-based band, active between 1970 and 1985. The unmissable modulation, introduced by a huge solo drum fill, is at 1:14.

Queen | We Are the Champions

This epic modulation stared me in the face for decades before being noticed. Queen’s “We Are the Champions” (1977) features verses which start in C minor, shifts into Eb major for the pre-chorus (first at 0:23), then transitions to F major for the choruses (first at 0:39). Commenting on the tune (among Queen‘s most successful singles of all time), the band’s guitarist Brian May said “We wanted to get the crowds waving and singing. It’s very unifying and positive.”

Elvis Costello | Accidents Will Happen

Elvis Costello‘s 1979 release, “Accidents Will Happen,” modulates back and forth between D major on the verses and D minor on the choruses; the first of these shifts hits at 0:19. Starting at 2:10, the outro of this compact tune accelerates the pattern by shifting between the two keys every two measures!

Fountains of Wayne | Stacy’s Mom

“Stacy’s Mom,” a 2003 power pop classic by Fountains Of Wayne, written by Adam Schlesinger, was nominated for a Grammy for Best Pop Vocal Performance. The New Yorker magazine’s Ben Greenman called it the “second-catchiest song ever written about a girlfriend’s parent” (after Simon and Garfunkel’s “Mrs. Robinson.”) The initial key of E Major shifts to G major at the bridge (2:25).

Don Henley | Sunset Grill

1984 saw the release of “Sunset Grill,” a top-10 hit from vocalist / drummer / singwriter Don Henley (best known for his work with The Eagles.) The horn section and Pino Palladino‘s fretless bass lines are standouts on this track, which was written in honor of an actual Los Angeles burger joint — still in business on the legendary Sunset Boulevard despite several ownership turnovers through the years. The direct whole-step modulation is at 4:03.

John Powhida International Airport | Dirty Birdy and the Funny Bunny

We generally post videos on MoTD, but here‘s a worthy audio-only link! A track by Boston Music Awards multi-nominee John Powhida and his self-described “rock / disco / soul / pop fuzion” band John Powhida International Airport, “Dirty Birdy and the Funny Bunny” (2011) modulates at 2:20.

https://johnpowhidainternationalairport.bandcamp.com/track/dirty-birdy-and-the-funny-bunny

Atlanta Rhythm Section | Spooky

Today’s featured tune is “Spooky,” a 1979 release by the Atlanta Rhythm Section – Band, a southern rock band which enjoyed a string of hits. A cover of a 1967 original by The Classics IV, ARS’s version adds a direct modulation early on (1:29) and continues from there. The two versions went to #17 and #3, respectively.