“My Favorite Things” is from the beloved (and last) Rodgers & Hammerstein musical The Sound of Music, which premiered on Broadway in 1959. Starring Mary Martin, the musical theatre production was followed by the classic film adaptation in 1965, starring Julie Andrews. The song passes seamlessly between E minor, and the parallel and relative major, E and G respectively, throughout the song. I hope this classic tune brings a smile to your face, a warmth to your heart, and a reminder of your favorite things.
Tag: soundtrack
Let’s Give Up (from “Portlandia”)
As its final season reached its end, the music-packed TV comedy Portlandia featured the tune “Let’s Give Up” (2017). The lightweight pop feel of the track is completely out of character for the personal musical style of vocalist Carrie Brownstein, who’s spent much of the past 25 years as a vocalist and guitarist for the punk-tinged indie rock band Sleater-Kinney. But it’s 100% on-brand for the series, which saw both Brownstein and her vocalist/multi-instrumentalist co-star Fred Armisen lightheartedly hop from genre to genre throughout.
From Stereogum‘s review: “The song flips through a series of major topics, like global warming and trying to tune out the news, before taking on the numbing convenience of social media and binge-watching TV.” Portlandia’s final seasons weren’t among its best overall, but you’d never know it from this glittery, cutting satire.
Starting in F# minor (the track starts at the 0:28 mark), the kicky funk/pop tune modulates up to G# minor for the chorus at 1:02, reverting to F# minor for verse 2 at 1:19.
Beautiful City (from “Godspell”)
“Beautiful City” is from Stephen Schwartz‘s musical Godspell, which opened in 1971 Off-Broadway, moving to Broadway in 1976. This song was originally written for the 1973 movie, and has since been inserted in the show in various locations, in both uptempo and ballad styles. The track seamlessly and beautifully alternates between Gb Major in the verses and Eb Major in the chorus, before an unexpected shift to D Major right at the end. Performed here by Hunter Parrish from the 2011 Broadway revival cast; key changes are at 0:47, 1:17, 1:52, 2:22, 2:45, and 3:11.
Empty Chairs at Empty Tables (from “Les Miserables”)
From Schönberg and Boubil’s musical Les Misérables, “Empty Chairs at Empty Tables” (2014) is performed here by Ramin Karimloo, who has appeared in productions of the show on both the West End and Broadway in multiple roles. Key change at 2:14.
A Little More Homework (from “13”)
“A Little More Homework” is from Jason Robert Brown‘s 2008 Broadway musical 13. The show is notable for being the first and only Broadway musical ever with a cast and band comprised entirely of teenagers. Key changes at 2:48, 4:02, and 4:33.
Gladys Knight | License to Kill
Written and performed by Gladys Knight for the 1989 James Bond film Licence to Kill, this track was a top ten hit in the UK, peaking at #6 and becoming Knight’s last charting solo single there. Key change at 3:14.
Once More I Can See (from “Wonderland”)
“Once More I Can See” is from Frank Wildhorn‘s 2011 Broadway musical Wonderland, a contemporary setting of Lewis Carroll‘s “Alice’s Adventures in Wonderland” and “Through the Looking-Glass.” Performed here by Janet Dacal, the song features a key change at 2:05.
Theme from “Ducktales”
The children’s animated series DuckTales ran for 100 episodes during the late 80s, featuring the full slate of Disney’s duck characters. The 1988 theme, a catchy pop earworm for sure, modulates upwards at 1:22, back down at 1:39, and upwards again at 2:00.
A Love That Will Last (from “The Princess Diaries 2”)
“A Love That Will Last,” performed by Renee Olstead, was featured in The Princess Diaries 2 (2004). The track was written by David Foster and Linda S. Thompson. The key change is at 2:39.
Enrico Pieranunzi | Jona Che Visse Nella Balena
Italian jazz pianist Enrico Pieranunzi, who has played with the likes of Chet Baker, Paul Motian, and Charlie Haden, released the trio album Play Morricone (2002) with bassist Marc Johnson and drummer Joey Baron. The album’s focus is the broad discography of composer Ennio Morricone, who has written over 400 scores for film and TV.
“Jona Che Visse Nella Balena” (Jonah Who Lived In The Whale), a solo track, modulates at 1:18, 2:36, and 4:10.