Here is Jonathan Reid Gealt‘s “Quiet” (2011), sung by the incomparable Natalie Weiss. Key change from E to G at 1:24, and then back to E at 2:00.
Tag: soundtrack
Sing For Your Supper (from “The Boys From Syracuse”)
Kickin’ it back to the 1930s today, with “Sing For Your Supper” from the Rodgers & Hart show The Boys From Syracuse (1938). Modulations at 1:32 and 2:28.
Hosanna (from “Jesus Christ Superstar”)
“Hosanna” from Andrew Lloyd Webber’s Jesus Christ Superstar (1970) won a 2017 Olivier Award for Best Musical Revival. The modulation is at 2:20.
Soul of a Man (from “Kinky Boots”)
Featuring some contemporary Broadway today with “Soul of a Man” from Kinky Boots (2013). Key change around 2:18.
Marian McPartland | Send In the Clowns
Here is Marian McPartland’s beautiful arrangement of Sondheim’s “Send In The Clowns” (1978), originally written for the 1973 musical A Little Night Music. There’s a dramatic key change at 3:13.
Arabian Nights (from “Aladdin”)
“Arabian Nights” is the opening number from the Broadway musical Aladdin (2014). There are a few internal modulations, but the big one is at 5:28.
Whitney Houston + Mariah Carey | When You Believe (from “The Prince of Egypt”)
Here’s the Whitney Houston/Mariah Carey duet “When You Believe” from The Prince of Egypt (1998). The whole song is definitely worth a listen, but pay particular attention around 3:43.
AJ Rafael (feat. Deedee Lynn Magno Hall) | Only Us (from “Dear Evan Hansen”)
Singer/songwriter AJ Rafael covers “Only Us” (2017) from the musical Dear Evan Hansen, featuring Deedee Lynn Magno Hall. The first modulation (1:43) somehow sneaks up on the listener gradually, while the second (2:55) clearly announces itself.
Stephen Soundheim (feat. Marin Mazzie) | Losing My Mind (from “Follies”)
Here’s the inimitable, much-missed Marin Mazzie singing “Losing My Mind” from Sondheim’s Follies (1970). This performance is just exquisite, and the key change at about 3:00 is a highlight.
Stefon Harris + Blackout | Until
A beautiful jazz waltz featuring the vibraphone of rising star Stefon Harris. This 2007 tune was originally written by Sting for the Kate & Leopold soundtrack. Modulation at 1:29.
Harris has said, according to All About Jazz: “For me, as an African-American, it’s part of the reason I get up. Jazz is not just fun for me. This is my cultural heritage. When I look at the great Miles Davis, Duke Ellington, Louis Armstrong, John Coltrane, as we go down the line, I feel a great deal of pressure, and honor, to be striving to be a part of this legacy.”