Genesis | Turn It On Again

One of the singles from Duke, Genesis‘ 1980 album, “Turn It On Again” features plenty of modulations — as well as mixed meters! This album marked the band’s biggest departure from its “prog” rock origins towards its later pop-friendly material — all the while never losing its infectious harmonies. Phil Collins serves yeoman’s duty on both vocals and drums.

0:48 transitions up a half step, then back to the original key at 1:03; back up at 1:17, then back to the original key at 1:26. We start the cycle again with verse two at 1:34. Plenty of pedal point on this track, with the bass note remaining static while chords change above.

10cc | The Things We Do For Love

1977 saw a bouncy, harmonically restless pop hit by British band 10cc, “The Things We Do for Love.” The instrumental intro starts in key A; verse 1 modulates at 0:19 into Key B; another key change at the intro to verse 2 reverts back to Key A (1:15); another at the bridge (which could also be heard as an instrumental verse) into key B at 1:38; back to Key A at 2:16; and finally back to key B at 2:34.

Madness | Our House

Madness occupied a very specific corner of 1980s New Wave — a UK-based ska/pop hybrid band that that was more about the music than the era’s flashy fashions. “Our House,” released in 1982, reached top-5 status in the US, Canada, the UK, and much of Europe.

The tune cycles through piles of modulations: 0:46, 0:54, 1:10, 1:18, 1:26, 1:41, 1:49, 2:05, 2:13, 2:44, and then every four bars all the way to the end.