Tag: USA

Glen Campbell | By the Time I Get to Phoenix

Glen Campbell’s breakthrough single, “By the Time I Get to Phoenix” (1967) reached #2 on the US Country charts, #1 on the Canadian Country charts, and #26 on the US pop charts. The tune was written by Jimmy Webb, perhaps best known for writing “MacArthur Park.” The Philadelphia Daily News reported that Frank Sinatra called it “the best torch song ever written.” BMI ranked the tune #20 on its list of Best Songs of the Century. An example of the “Nashville Sound,” also known as “Countrypolitan,” the tune garnered Grammy awards for Best Male Vocal Performance and Best Contemporary Male Solo Vocal Performance.

The list of artists who’ve covered the track is nothing short of staggering. A partial list: Isaac Hayes, Anne Murray, Dionne Warwick, Engelbert Humperdinck, Reba McEntire, Nick Cave + the Bad Seeds, and … Sinatra.

F major is in effect until 2:22, when the tune modulates to D Major at the very end, just as Campbell sings the last few words of the lyric.

A Quiet Thing (from “Flora, the Red Menace”)

John Kander & Fred Ebb‘s musical Flora, The Red Menace opened on Broadway in 1965, featuring Liza Minnelli, making her debut on the Great White Way in the title role. While the score overall is not particularly memorable, “A Quiet Thing” stands out as one of Kander & Ebb’s best ballads. Performed here by the late Marin Mazzie. Key change at 1:05.

Seals + Crofts | Hummingbird

“Hummingbird” by the 70s soft-rock duo Seals and Crofts reached #20 (US Pop), #3 (Canada Pop) and #12 (Adult Contemporary) in 1973. According to AllMusic.com, the lyrics quote from the scriptures of the Baha’i faith which the duo shared and features a “segmented structure, with a chant-like opening and a sharp change in tempo, which didn’t stop it from becoming a hit…for all of its beauty, the soaring orchestral accompaniment (highlighted by lofty strings and a gorgeous horn part) never eclipses the core sound of the duo’s singing and their acoustic guitar/mandolin combination.”

An intro in 3/4 transitions between E minor and E major, ending with keening chromatic melody over A major. After transitioning to 4/4 for verses and a chorus alternating between D minor and D major, 3:20 brings a sweeping extended outro, with myriad chords floating over a consistent D pedal-point in the bass. At 3:45, a progression of C Maj | F Min | : E major | A Major : | wraps up the tune as it heads for the horizon.

In a Place of Miracles (from “Hunchback of Notre Dame”)

“In A Place of Miracles” is from, in your humble moderator’s opinion, Alan Menken‘s best score, The Hunchback of Notre Dame. The show, which premiered in Berlin in 1999 and became one of the city’s longest-running productions, has still not made its way to Broadway. But someday, in a place of miracles, it will. Key change at 1:37.

Eric Reed | Flamenco Sketches

Though post-bop jazz and gospel flavors of his sound have developed over his many solo releases, pianist Eric Reed, a native of Philadelphia, got his first break working with trumpeter Wynton Marsalis’ band during the 1980s. Since then, he’s worked with Freddie Hubbard, Joe Henderson, Cyrus Chesnut, and many other greats.

Starting in C major, “Flamenco Sketches” (2002) cycles through several keys before returning back to C major at 2:05, repeating the cycle again at 3:54 and 5:30. From AllMusic.com’s review: “Reed takes full advantage of the modal basis, building lush chord structures, trills, and tremolo effects on top of each other for a heavy six and a half minutes.”

Bruce Springsteen | Born to Run

Bruce Springsteen’s smash hit “Born to Run” (1975) is another submission from our frequent contributor JB. Addressing the grandiosity of the album’s wall-of-sound approach, AllMusic.com’s review states: “To call (it) overblown is to miss the point; Springsteen‘s precise intention is to blow things up, both in the sense of expanding them to gargantuan size and of exploding them…an intentional masterpiece, it declared its own greatness with songs and a sound that lived up to Springsteen‘s promise, and though some thought it took itself too seriously, many found that exalting.” While the track only hit #23 on the Billboard Hot 100, it’s ranked #21 on Rolling Stone’s 500 Greatest Songs of All Time and is enshrined in the Rock Hall of Fame’s 500 Songs That Shaped Rock and Roll.

After establishing verses and choruses in E major, a chaotic multi-section bridge starts at 2:12, veering into several keys before touching back down into E major at 3:06 for a final verse, chorus, and an extended outro.

Free Nationals | Apartment

AllMusic.com describes Free Nationals as “a smooth, funk-fluent R&B band” which has “recorded and performed extensively with Grammy-winning artist Anderson .Paak…The quartet became integral to (.Paak’s) progression on Malibu, a 2017 breakthrough nominated for a Grammy in the category of Best Urban Contemporary Album.” In 2019, their debut self-titled album reached #3 on Billboard‘s Heatseekers chart. NME.com reports that the band “proudly wear(s) their influences on their sleeve – the band are long-term scholars of Stevie Wonder, Parliament-Funkadelic, Herbie Hancock and many more.”

Starting in B minor, “Apartment” features a syncopated intro which shifts into a settled C# minor groove at the first verse (0:28), then back to B minor at the chorus (0:52). The intro’s syncopated kicks and compound chords return to bracket verse 2/chorus 2 (1:39 and 2:56), leaving us hanging with an unexpected ending where the third verse should have been.

Charles Cornell | Imagine

As a response to the COVID-19 crisis, actress Gal Godot recently convened a group of celebrities to cover John Lennon’s “Imagine.” The vocals, while heartfelt, are a cappella and all over the place in terms of key. Multi-instrumentalist Charles Cornell has devised an accompaniment which knocks some of the harsh edges off of the, um, transitions.

Many thanks to MotD contributor Alex Mosher for this submission!

UPDATE: a few days later, the YouTuber Charles Cornell uploaded this update, explaining how he approached smoothing out the modulations:

My Favorite Things (from “The Sound of Music”)

“My Favorite Things” is from the beloved (and last) Rodgers & Hammerstein musical The Sound of Music, which premiered on Broadway in 1959. Starring Mary Martin, the musical theatre production was followed by the classic film adaptation in 1965, starring Julie Andrews. The song passes seamlessly between E minor, and the parallel and relative major, E and G respectively, throughout the song. I hope this classic tune brings a smile to your face, a warmth to your heart, and a reminder of your favorite things.

Warren Zevon | Accidentally Like a Martyr

From AllMusic’s review of Warren Zevon‘s tune “Accidentally Like a Martyr” comes this effusive praise for the often paradoxical singer-songwriter: “…a hard-bitten tough guy and writer of the noir wave classics ‘Werewolves of London’ and ‘Excitable Boy’ turned out to have a soft underbelly: ‘Accidentally Like a Martyr,’ taken from his 1978 breakthrough album, Excitable Boy, is a starkly realistic song about a screwed up love relationship…”

IMDB reports that Zevon, “the son of a gangster who was a Russian Jewish immigrant and a Mormon Midwestern mother of English descent,” had a difficult childhood and a false start in the music business as a folk/rock singer during the 1960s. IMDB continues: Zevon “establish(ed) himself as one of the most offbeat and intelligent singer-songwriters in the mid-1970s” before his death of lung cancer at the age of 56 in 2003.

Starting in F major, there are modulations to Ab major instrumental sections at 1:30 and 3:04; the latter has been used as bumper music between segments of NPR’s news programming for years. Both of the Ab sections have an off-kilter meter (alternating bars of 4/4 and 3/4) which only adds to the tune’s anthemic sound. Many thanks to veteran mod scout JB for this contribution!