Straight No Chaser | The First Noel

American a cappella group Straight No Chaser formed at Indiana University in 1996. In 2006, they released a video of “12 Days of Christmas” that has since been viewed over 24 million times on YouTube. “The First Noel” is featured on the group’s first full-length Christmas album, Social Christmasing, which came out in November. Beginning in Gb, the track modulates to Ab at 1:35.

Emmet Cohen | It’s Beginning to Look a Lot Like Christmas

Another solo piano performance, this time from jazz pianist Emmet Cohen. Recognized as a prodigy, the 29-year old Cohen has been hailed by Downbeat magazine for his “nimble touch, measured stride and warm harmonic vocabulary.” He has performed with Ron Carter, Kurt Elling, and Christian McBride, among others, and composes as well. Key change at 1:54. Thanks to MotD contributor Paul Steckler for this find.

Henry Lewers | Silent Night/Still, Still, Still

Breaking new ground today by featuring a performance by yours truly for the first time on the page. This mash-up of two beautiful carols, “Silent Night” and “Still, Still, Still,” was arranged by Sally DeFord (the sheet music is available here.) Starting in D Major, the music shifts to Bb with the entrance of the second tune at 1:25, and then to G at 3:05 with the return of “Silent Night.”

Owl City | Peppermint Winter

Adam Brown, the creator of the electronic music project Owl City, described this song as being about his “…own participation in snowball fights and sidewalk shoveling. Sleigh rides, present-giving and receiving and of course, the ingestion of marvelous Yuletide nutrition (or lack thereof), namely sugar cookies, hot chocolate and peppermint candy canes…”

Released in 2010 as a stand-alone single, the track has a lilting waltz-like feel, and modulates from C major to D at 2:39.

Dolly Parton (with Willie Nelson) | Pretty Paper

Written by Willie Nelson in 1963, “Pretty Paper” was first recorded by Roy Orbison that same year, and placed on the Billboard Adult Contemporary, Top 100, and Christmas Singles charts. Dolly Parton collaborated with Nelson this year on a cover of the tune that is featured on her new Christmas album, A Holly Dolly Christmas, released this year. Key change at 2:32.

The Carpenters | (There’s No Place Like) Home for the Holidays

Other than Perry Como’s 1984 rendition, the most well-known recording of this tune was featured on The Carpenters second holiday album, An Old Fashioned Christmas, released in 1984. Karen Carpenter, who sang lead vocals on every track, died the year before the album was released. Key change at 1:59.

Stevie Wonder | Someday at Christmas

The title track from Stevie Wonder’s first holiday album in 1968, “Someday at Christmas” is infused with Wonder’s signature Motown spirit. The track has stood the test of time, becoming something of a modern holiday classic, and has been covered by artists across the stylistic spectrum, including The Jackson 5, Diana Ross, Justin Bieber, and Rascal Flatts. Most recently, Wonder recorded a duet version in 2015 with American singer Andra Day for use in an Apple TV commercial, which is featured here. Key changes at 1:22, 2:22, and 2:43.

Mariah Carey | The Star

“The Star” was the first single released from the eponymous 2017 holiday film, inspired by the Nativity story. Performed by Mariah Carey, the song was nominated for Best Original Song at the Golden Globe Awards. In her review at Pop Sugar, critic Victoria Messina claimed “this brand-new jam just might give “All I Want For Christmas Is You” a run for its money.” Beginning in B major, the track modulates to Db at at 2:51 and then to Eb at 3:11.

The Perrys | Lord, I’m Thankful

Happy Thanksgiving to the MotD community! We on the admin team are grateful for your continued support of the page. Today, we feature the southern gospel quartet, The Perrys, with a track from their 2014 album Into His Presence. Key change at 1:42.

Tomorrow we begin our holiday season at MotD, featuring holiday music exclusively through December 25. If you come across any key changes as you listen to your favorite holiday albums, please share them!

Rickie Lee Jones | It Must Be Love

“For her waywardness alone, Rickie Lee Jones deserves a lot of credit,” begins the New York Times‘ review of her 1984 release, The Magazine. “The pop record business is still coming to terms with self-directed female performers, and it prefers its songwriters – male or female – to be prolific, craftsmanlike and fond of the basic four-minute pop song. Ambition translates as the desire to sell more records, and eccentricity is fine as long as it’s confined to a performer’s fashion sense. That can put a strain on a musician like Miss Jones, who is determined to add some poetry to the standard-form pop song, then melt the whole thing down.”

Her #4 hit single “Chuck E’s In Love” (1979) was featured on her eponymous million-selling debut album. It seemed she could pivot in almost any direction after that release found her “evoking jazz singers, girl groups, and the strong influence of Joni Mitchell and Laura Nyro. Miss Jones clearly knew American music from Bessie Smith to Leonard Bernstein to Bruce Springsteen, and she could sing just about anything … masking control with girlish playfulness.”

That playfulness was still in full evidence on her 1984 single “It Must Be Love.” In G major overall, at the beginning of the verses the I chord is actually Gsus2; it’s only the vocal line that defines the major third. While there is no modulation per se, the tune jumps the tracks abruptly at 1:28, when a Bmin7 –> E major pair is stated and then repeated before returning to G major at 1:37. At 1:48, a sustained instrumental interlude features suspended chords as the groove moves to the back burner. This kind of subtlety cemented Jones’ status as singular songwriter and performer.