Tag: vocal

Jacob Collier | All Night Long

Vocalist/arranger/multi-instrumentalist and overall musical wunderkind Jacob Collier released a cover of Lionel Richie‘s 1983 hit “All Night Long” this month, featuring a cappella legends TAKE 6 and the cutting-edge Metropole Orkest.

Starting in F major, a bridge at 3:16 lands us in Ab major at 3:54; lastly, we transition to A major at 5:58. But modulation is really the very least of the special effects here. The rollercoaster bridge, saturated with quick key-of-the-moment progressions and exotic harmonic tensions, illustrates Collier’s any tone/any time practice (not just those in a diatonic scale). The sheer variety of the lush arrangement is striking — and worth every second of this seven-minute listen.

Thomas Dolby | Simone

Best known for his 1982 dance/funk mega-hit “She Blinded Me With Science,” Thomas Dolby has continued to make music in the decades since. He was also pivotal in the process of advancing the tech behind cell phone ring tones and is now the Homewood Professor for the Arts at John Hopkins University’s Peabody Recording Arts and Sciences program.

Dolby’s 2011 release, A Map of the Floating City, is a full slate of harmonically wide-ranging tunes which were recorded onboard his solar and wind-powered converted lifeboat studio, The Nutmeg of Consolation, at his North Sea beach house in eastern England. “Simone” unfurls the tale of a trans woman’s romance with Dolby’s usual flare for timelessness. This fan-produced video beautifully captures Dolby’s penchant for a retro (and often retro-futuristic) mood.

Starting in Bb, the tune shifts to Ab minor partway through the chorus (at 1:28). At 1:47, verse 2 is in B major. The pivots continue throughout the tune, with harmonic transitions marking each new form section.

Kate Bush | Wuthering Heights

A guest post from our Twitter follower @AndrewOrlowski:

“One of my ten year old girls has become completely besotted by Kate Bush after watching a BBC TV documentary on her, and finds her completely inspiring. As a result, I was listening to ‘Wuthering Heights’ (1978) thinking ‘this has to be my favourite key change/chord change moment in music.'” (2:14)

Bush’s unique bio is nicely summarized by AllMusic: “One of the most successful and popular solo female performers to come out of England during the second half of the 20th century, Kate Bush was also one of the most unusual, with her keening vocals and unusually literate and complex body of songs. Bush‘s music is an ambitious and idiosyncratic melange of folk rock, art rock, prog, and pop, often performed with the bold brio of a West End stage production; her lyrics are artful meditations full of drama, fantasy, danger, and a sense of wonder at the human and natural worlds.”

Quick key-of-the-moment (KotM) shifts are a hallmark of this tune, a flagship within Bush’s catalog and the first single of her career. Starting in A major (more or less!), plenty of KotMs flash by as the fast harmonic rhythm hits us relentlessly (a good example being the repeating 4-chord passage from 0:08 to 0:15, which presents a contradictory jumble harmonically). As the chorus begins at 0:47, we transition to C# major. At 1:12, we’re back to A major (ish), etc. At 2:14 – 2:39, the brief bridge could be heard as a shift to A# major — or merely a huge passing emphasis on the iii chord of F# major. Unusual harmonic progressions and ambiguity of tonality are often part of the fun when it comes to Bush’s catalog.

The Cardinals | I Dreamed a Dream

Vocal quartet The Cardinals (Ben Forster, Carrie Hope Fletcher, Celinde Schoenmaker, and Ramin Karimloo) perform “I Dreamed a Dream” from Les Miserables, arranged by Nick Barstow (2019). According to Barstow’s website, “the group has a unique folk-musical theatre crossover sound, characterized by bold re-imaginings of musical theatre classics and modern pop with lush vocal harmonies.”

Starting around the 1:00 mark, this new arrangement of the Broadway classic is compelling yet harmonically relatively static, droning on the tonic of F major as the iconic melody floats above. At 2:02, the growing harmonic motion more closely resembles that of the original. From 2:24 -2:35, the arrangement piles on several pivots, landing in C major.

Jacques Brel | Marieke

Singer/songwriter Jacques Brel produced music which AllMusic calls “literate, thoughtful, and theatrical songs that brought him a large, devoted following in France. His audience eventually extended internationally, making him a major influence on English-speaking writers and performers including Leonard Cohen and David Bowie.” After releasing many albums, often built around a contemporary chanson style, Brel produced a musical revue, Jacques Brel is Alive and Well and Living in Paris, off-Broadway at NYC’s Village Gate in 1968. The show has since enjoyed dozens of well-received revivals.

The show’s 26 story songs included a restless, ever-building waltz, “Marieke” — as much an ode to his Belgian homeland as to his beloved. Modulation at 2:23.

Lyric translation here.

Jacob Collier | Moon River

Jacob Collier‘s newest release is an arrangement of “Moon River,” written by Henry Mancini and Johnny Mercer in 1960 — it will blow your mind. Starting in Bb, it modulates to Db at 3:48, then to D at 4:34. After a long, winding transition, we end up in Eb at 5:55, and go in many different directions from there before ultimately landing on a…C major chord. 🤯 There is no one like this guy, and this might be his most epic masterpiece yet.

UPDATE | April 12, 2020:

This update isn’t strictly a modulation, but in this 90-minute video Collier breaks down, in granular detail, how he put together the arrangement. It is staggering, and includes a fascinating discussion of harmony.