Category: Elise

Atlanta Rhythm Section | Spooky

Today’s featured tune is “Spooky,” a 1979 release by the Atlanta Rhythm Section – Band, a southern rock band which enjoyed a string of hits. A cover of a 1967 original by The Classics IV, ARS’s version adds a direct modulation early on (1:29) and continues from there. The two versions went to #17 and #3, respectively.

Janis Ian | At Seventeen

1975’s “At Seventeen,” the most successful single from singer/songwriter Janis Ian, went to #1 in the US and Canada. A biting commentary on Western beauty standards and their effects on young women, the tune was also used in multiple movies and television shows. The tonality switches from C major on the verses and C minor on the choruses (the first transition is at 0:47).

Touch Me With My Clothes On (from “Love Gilda”)

Known for her utterly original comedic style and her status as the first cast member chosen for the premiere season of Saturday Night Live in 1975, Gilda Radner was the first to say that her singing voice wasn’t exactly her strongest suit. But her unfussy, warm delivery always let her huge personality shine through. “Honey (Touch Me With My Clothes On)”, featured in the current biopic film Love Gilda, was part of the comedienne’s 1980 live solo show Gilda Radner Live on Broadway.

The music doesn’t start until 0:55 — but her poignant intro is worth a listen! Key change at 2:59.

Leslie Gore | You Don’t Own Me

Released in 1963, Leslie Gore‘s “You Don’t Own Me” was a #2 hit in the US (also top 5 in Australia, New Zealand, and the UK). The tune has had a sustained half-life as a feminist anthem.

Produced by studio legend Quincy Jones, the tune packs multiple modulations into its two and a half minutes. The verse is in G minor, but transitions to G major for the chorus (0:31); the same pattern holds true for verse 2 and chorus 2; multiple direct half-step modulations follow at 1:03, 1:19, and 1:34.

Nickel Creek | Doubting Thomas

Nickel Creek, an acoustic trio known for its polished Americana sound and a Grammy winner in the Contemporary Folk category, released “Doubting Thomas” in 2005. Chris Thile, now the host of the weekly radio program Live from Here, is featured on lead vocals and mandolin.

The bridge (1:59 – 2:25) modulates before the tune returns to its original key.

Queen | The Show Must Go On

Released only six weeks before Freddy Mercury‘s passing at the end of a brief battle with HIV/AIDS, “The Show Must Go On” (1991) reminded Queen fans worldwide of this global supergroup’s originality and vision. Mercury’s vocal timbre was changed by the disease, but he still pulled off a beautiful performance. Modulations at 1:32, 2:13 and 2:55.

Cheap Trick | Surrender

Rolling Stone magazine called it “the ultimate 70s teen anthem” and ranked it #471 of its “500 Best Songs of All Time.” One of the most well-known bands on the 1970s global rock circuit, Cheap Trick released “Surrender” in 1978 and then re-released it on their live album Live at Budokan. The intro’s key is raised a half-step at the start of the first verse (0:14), then another half-step upward modulation at 2:16.

Paul Davis | Cool Night

“Paul Davis established himself as one of the most appealing singer-songwriters of the late 1970s and early 1980s,” (TheSecondDisc.com).  “Yet the Mississippi native all but walked away from his solo career at the height of his fame, returning to his roots as a behind-the-scenes songwriter and making cameo appearances on others’ hit records.  Before his untimely death in 2008 at the age of 60, Davis notched fourteen Hot 100 hits and eight Top 40s.”

Paul Davis‘ 1981 soft rock release “Cool Night,” which reached #11 on the US pop singles chart and #2 on the US adult contemporary chart, is also sometimes cited as an example of late 70s/early 80s “Yacht Rock.”

The key change is at 2:39, leading into the final chorus.