The Association | Time for Livin’

Today we feature The Association’s 1968 release “Time for Livin’,” suggested by one of our mod scouts, JB. Known as a “sunshine pop” band from Southern California, the band is better known for its iconic hits such as ”Cherish” and ”Never My Love.” This track, which reached only #39 on the US pop charts, modulates all over the place — starting at the 0:52 mark and continuing all the way to the end.

The Guess Who | These Eyes

From MotD regular Rob P.: Canadian band The Guess Who released their breakthrough US hit, “These Eyes,” in 1969. It peaked at #6 on the US Billboard chart.

After a few verses, a string of direct modulations builds during the chorus (starting at 1:42); the tune reverts to the original key for the next verse at 2:40. 3:00 marks the start of chorus/outro, stacking yet more modulations until the fadeout, augmented by boffo amounts of strings and brass.

Todd Rundgren | Hello, It’s Me

First released by Todd Rundgren during his stint with the band Nazz 50 years ago (October 1968), Rundgren’s subsequent solo version (1972) reached #5 on the US pop charts. The tune features a horn section including Randy Brecker and Michael Brecker, among other top-drawer players. Something/Anything, the album which featured the single, was later voted #173 on Rolling Stone‘s “500 Best Albums of All Time.”

The half-step modulation at 2:45.

Leslie Gore | You Don’t Own Me

Released in 1963, Leslie Gore‘s “You Don’t Own Me” was a #2 hit in the US (also top 5 in Australia, New Zealand, and the UK). The tune has had a sustained half-life as a feminist anthem.

Produced by studio legend Quincy Jones, the tune packs multiple modulations into its two and a half minutes. The verse is in G minor, but transitions to G major for the chorus (0:31); the same pattern holds true for verse 2 and chorus 2; multiple direct half-step modulations follow at 1:03, 1:19, and 1:34.