Another new artist for MotD, and another common tone modulation. Here is Boyzone’s “When You Say Nothing At All” (1999). Key change is at 2:29 is unorthodox in that it goes from G to E. It stays there only briefly though before returning to G to stay to the end.
Tag: pop
Kenny Loggins | This is It
This 1979 release by Kenny Loggins, with co-writing, keyboards, and back-up vocals by Michael McDonald, features the harmonic complexity for which both artists are known. The bridge starts at 2:43, shows signs of a big change on the way at 2:57, and wraps up at 3:06 as the modulation hits.
According to Loggins, the melodic and harmonic ideas for the tune were finished long before the lyrics. The songwriting team had initially focused on a crossroads moment in a troubled romantic relationship. But the topic shifted to an adult son encouraging his ailing elderly father to fight hard for his health in the face of a worsening medical condition — a slice from Loggins’ own life. An unlikely hit, for sure, but it reached #11 and won a Grammy.
NSYNC | This I Promise You
Happy Monday! We kick the week off with some classic *NSYNC — “This I Promise You” (2000). I was actually surprised to discover I never posted this song back in the day — it’s a good one. Modulation at 3:11 — Enjoy!
Barry Manilow | Mandy
Barry Manilow makes his MotD debut with his 1974 hit “Mandy,” with a vintage music video to boot! The track was a #1 hit and cemented his career as a performer. Modulation at 2:40.
Sting | If I Ever Lose My Faith in You
Sting‘s 1993 single “If I Ever Lose My Faith In You” features plenty of pipe organ in addition to traditional rock instrumentation. It modulates at the bridge (2:20), then reverts to the original key. A striking downward modulation (3:19) runs until the last key change (3:38).
Celine Dion | The Power of the Dream
Here’s Celine Dion performing live at the 1996 Olympic Games with “The Power of the Dream.” Her performance was heard by 100,000 people in the arena as well as 3.5 billion others worldwide. The modulation is at 3:18.
NYT: David Foster, the Godfather of Schmaltz
From today’s New York Times: David Foster is responsible for composing and/or producing many of the songs that have been featured on MotD over the years (and on today’s Celine post you can find him at the piano!)
Hall + Oates | Method of Modern Love
By the mid-80s, Hall and Oates had scored a huge number of hits — more than any other duo in history. While 1984’s “Method of Modern Love” isn’t among the band’s top layer of major hits, it features a fun, goofy video concept, a shimmery modulation at 3:50, and a document of what might have arguably been pop music’s “peak mullet” moment.
David Archuleta | Something ‘Bout Love
Here’s David Archuleta with “Something ‘Bout Love” (2010). Key change at 3:03.
Genesis | Turn It On Again
One of the singles from Duke, Genesis‘ 1980 album, “Turn It On Again” features plenty of modulations — as well as mixed meters! This album marked the band’s biggest departure from its “prog” rock origins towards its later pop-friendly material — all the while never losing its infectious harmonies. Phil Collins serves yeoman’s duty on both vocals and drums.
0:48 transitions up a half step, then back to the original key at 1:03; back up at 1:17, then back to the original key at 1:26. We start the cycle again with verse two at 1:34. Plenty of pedal point on this track, with the bass note remaining static while chords change above.
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